A Quote by Chesney Hawkes

I'm working on an Americana-style album because I live in L.A. now. — © Chesney Hawkes
I'm working on an Americana-style album because I live in L.A. now.
First I was a European-style player, then I was a downtown 'noise guy,' and now some people call me an Americana guy.
I'm gonna stay an album guy. In fact, concept albums are really blowing my mind right now, because if you want to promote an album, think about it - a concept album might be the way to go.
I call my style Classic Americana Swag. I do my vibe, and I'll throw in a cool sneaker here or there, a pair of Js.
The world I live in is benefiting from things like satellite radio. Jazz and blues fests are everywhere now, and Americana is going strong on college radio. What I'm hearing is an appreciation of real music.
The musical style and sound of 'Love You to Death' is something I wanted to do from the moment I started working on this album. It's a very masculine track with dramatic lyrics.
Now that that album's done [TModern Vampires of the City], I have time to revisit things that I was working on earlier, previous to it. I actually found it very helpful to be working on some music on my own.
I've got to be kind of careful because I've had good advice: "Don't sell yourself too short." I have to not be too available to everything that comes along. I've always been a people pleaser and now I'm upping the ante in terms of price so I can be more selective. I really enjoyed working on three tracks on Sara Groves' [parenthood-focused] album Station Wagon. I love playing on those songs and I love the heart in that album.
The iPod has changed all that because sometimes I listen to an album from beginning to end, but now I put the stuff on shuffle and have the iPod tell me what I'm listening to, especially if I'm working out.
One of the things that I loved about working on that first album was working with Billy Mann, who produced the album, and all the people who worked to finish it. Just seeing how they did things and learning.
I have to think about the future because, not that I'm bored with it now, but I can't live now, it's not my place to live now. I've got to live ahead of myself.
Styles tend to not only separate men - because they have their own doctrines and then the doctrine became the gospel truth that you cannot change. But if you do not have a style, if you just say: Well, here I am as a human being, how can I express myself totally and completely? Now, that way you won't create a style, because style is a crystallization . That way, it's a process of continuing growth.
Well actually, we are working on the live album from the shows in Japan. I'm trying to get that finished.
My style is raw; my style is '95. My style is what I live. My style is my story.
I really tried to push every genre that I could into this record. I wanted every song to have this feel, where as soon as the listener tunes in, they say "That's CoJo, that's Cody right there." That being said, it is a little different. There's Americana, there's Bluegrass, there's some rock, there's some really George Jones-style stuff on it, slow-style Ray Price country elements, there's some modern country, a little of this and a little of that. We tried to push a lot for show versatility, because I grew up with a lot of versatility in my music.
We had to create an album where there wasn't one. I never listen to that album [ Music From the Edge of Heaven] because it wasn't an album.
I was in high school and I had an independent album out, and we kept sending that out, and I was doing shows. No one really dug it. It was very Americana and had a lot of folk elements in it.
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