A Quote by Chesney Hawkes

I still get knickers thrown on stage, but not as much as they used to. In fact, I get bloke's boxer shorts thrown on and someone rolled a coconut on stage the other night. — © Chesney Hawkes
I still get knickers thrown on stage, but not as much as they used to. In fact, I get bloke's boxer shorts thrown on and someone rolled a coconut on stage the other night.
I have always felt that the great lottery of life is unfair. The fact is that I was thrown up on the stage of life called Australia. You don't choose where you are thrown on to this stage. So universal health, universal education, of course plenty of food and clean water.
When you go through a tunnel - you're going on a train - you go through a tunnel, the tunnel is dark, but you're still going forward. Just remember that. But if you're not going to get up on stage for one night because you're discouraged or something, then the train is going to stop. Everytime you get up on stage, if it's a long tunnel, it's going to take a lot of times of going on stage before things get bright again. You keep going on stage, you go forward. EVERY night you go on stage.
Originally a promoter came and asked if I fancied doing a few student gigs. I was a little nervous. I thought they wouldn't know who I was and, worse still, not care. The first gig was in Lincoln. It sold out. I had knickers thrown on stage and people were chanting my name. I can't remember having a reaction like that - even in '91.
Twice I got thrown out of casino, literally thrown out by my feet thrown through the front door when I thought I had caught a cheater one night.
But I also know in standup, there's nowhere to hide. You get on stage and you deliver, or you are eviscerated and you are thrown into a pile of bodies at the bottom of a mountain.
At one point in the mid-Eighties I shared a promoter with the Smiths. One night, we were sitting backstage when Morrissey burst in, utterly distraught, sobbing his heart out. Turns out someone had thrown a sausage at him on stage during 'Meat Is Murder.'
If you're dreaming of being a great soloist, walking on stage, receiving ovations night after night, having money thrown at you, girls chasing after you and your beautiful picture - that's wonderful. But what exactly does that have to do with the practice of music?
Being able to write jokes is great, but you still have to get used to performing them and being on stage - and enjoying being on stage, not just like tolerating it.
As a matter of fact," the other voice went on, "if you do tie her up from time to time, or whip her just a little, and she begins to like it, that's no good either. You have to get past the pleasure stage, until you reach the stage of tears.
One of the things I do tell young women, if they want to pursue a career in acting, is to get good stage training. It is essential to have a good basis in stage technique. You can move into film easily, and acquire more skill and more understanding, but you can't necessarily go the other way around. For women, longevity of career will very much be on stage.
The beautiful thing about stand-up advice is that it applies to anybody, any gender, any race, any age. The best thing you can do - everybody will tell you - is get on stage as much as you can. I would add to that: get on stage as much as you can - with the people you admire.
You can get bored up there on stage, night after night. But it's an open forum where you can get away with almost anything, so you might as well do it.
The fact that our band has weathered so much and stayed together for so long and we still get on stage and have a good time together, that's a big deal for us. We don't take that for granted.
That's the thing about stage: It's something you can't find anywhere else. It's a two-and-a-half, three-hour experience, and it's a real relationship. You're sending out energy from the stage, but the audience is giving you back so much also, so that's also lifting you and pushing you forward as you're performing and giving you so much energy. You can't find it anywhere else, and that's why people get addicted to being on stage, and when they're not on stage are kind of looking for that and constantly searching for it.
My roots are on the live performing stage, so while I enjoy making films and the other things that I do, when I get on stage, I feel at home; I'm comfortable.
Usually, there's nothing being thrown toward the stage or at me. Then I feel pretty good about it.
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