A Quote by Chesney Hawkes

My day job these days is I am writing, producing and developing young artists here in the States, in between working on my own stuff. — © Chesney Hawkes
My day job these days is I am writing, producing and developing young artists here in the States, in between working on my own stuff.
I've also been writing for other artists, producing other artists, doing some country stuff. Those lyrics I tend to leave more universal.
Trying to make your own sound is hard. When I was producing for other artists, I could just produce and write songs as a normal songwriter, and almost make them generic. The artists themselves, whoever is singing that song, can put their own twist on it. When it came to my own material, I had to really dig deep, because I was just writing generic stuff. It sounded like everybody else, like Justin Timberlake, like Usher. I never wanted to sound like someone, that's when you know it's not going to work.
One day I think it's the greatest idea ever that I'm working on. The next day I think it's the worst that I've ever worked on - and I swing between that a lot. Some days I'm very happy with what I'm doing, and the next day I am desperate - it's not working out!
I really enjoy writing and producing for other artists. Some people save their best songs for their own albums. I'd rather give another artist one of my songs. At the end of the day, it still represents me.
I've always thought about someday producing other artists or developing other artists.
I'm always writing my own music, recording my own music, even if I am 9/10 of the time recording stuff for other people. I'm still working on my own creative endeavors.
Producing 1,200 words every day, when you're already working a full-time job is a lot.
One of my favorite things is producing other artists because, in many ways, it's a lot more freeing than working on your own music.
I'm always working my own thing. A few times a week - I try to not go too crazy - I'm working with some other artist. But I'm constantly working my own stuff, and my own stuff seems to come in little bursts.
There is a difference between executive producing and producing. Producing, you have no life for two years. You take everything personally, you want to kill everyone, you're depressed and angry, and then in the end you feel excited when it actually works. But executive producing, you can go home at the end of the day.
We don't perceive a contradiction between writing books, making films or producing a television program. These days you can't choose how you want to express yourself anymore.
The toughest parts of the shooting schedule for me are the days between working, when you've nothing to do but wait. There is only so much time you can spend on a script before it becomes so rehearsed that your performance becomes rigid and immovable on the day of, so one has to occupy one's time in some fashion. For me, those interim days are usually spent exercising, exploring, learning to cook something edible, and working on my own creative endeavors.
I would recommend, definitely, developing a 'day job' that you like - don't expect to make money writing!
My first love is writing and producing. So I sometimes put my own stuff off to work on other people's projects.
In my process, I am constantly moving between writing, performing, and producing art objects. These various practices inform one another. What I love about both art and writing are that they can be receptacles for everything.
Developing projects of my own and producing and writing and directing is something that's very interesting to me, but you know, one step at a time and you've got to establish yourself on one side before you really have the power to do something else. That's always the immediate goal.
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