A Quote by Chester Bennington

Asking someone to describe what something sounds like is like telling a blind person to guess what I look like. — © Chester Bennington
Asking someone to describe what something sounds like is like telling a blind person to guess what I look like.
?Sometimes I feel like when someone asks me if I believe in God, it's like a blind person asking if I'm black, so that they can put me in the right category.
Ryan is an amazing person. When I was his age, I wasn't thinking about giving someone a kidney. How do you ever repay someone for something like that? You can't. It's not like borrowing $20 from someone and telling them you're going to give it back. It's something that you can never repay someone for.
There's something strange about comedy requests. I guess if you enjoy something, why not hear it again? But there's something weird about it being live, when the person is there, and asking them, "Hey, do this thing like you did it, but make it seem like you're making it up on the spot.".
I'm a person who likes to hang out. I would never go on a blind date. That sounds like the most uncomfortable thing on the planet earth. It's like, 'Hi. Nice to meet you. So, what kind of music do you like?' Date ended.
I guess I feel like; if you're doing something and people are accusing you of appropriating something like that so obviously, then I would feel like I've failed as a creative person. It's just like stealing something and doing some sort of slight alteration to it - I'd feel like I'm not doing my job as a musician, or as a creative person - if it's just obvious like that.
To describe the agony of a marathon to someone who's never run it is like trying to explain color to someone who was born blind.
If you ask someone if they like music, they look at you strangely. It seems to be a universal given. Like asking someone if they like breathing. It is like breathing. Or air, rather. Flowing without and within. A matrix within which our lives are set. The setting for the tableware of our beings.
I never felt like someone who was boyish and coming to terms with asking girls out or anything like that, which was what 'The Big Steal' and 'Spotswood' were about. But I guess that's the impression I left on people.
Off the court, I'm a totally different person. I've heard people be like, 'Oh, so sweet, like a big ole teddy bear.' But I guess I still have that look on my face in a game. I guess I still have a vibe where it's intimidating.
I'm a tell-it-like-it-is kind of person; I don't like being misled or someone not telling the truth. That upsets me.
I don't care if someone makes fun of me, but if someone calls me a mean person or something, I reply. If you don't like me in makeup, that's OK. But I would like people to like me as a person.
Adults are always telling young people, 'These are the best years of your life.' Are they? I don't know. Sometimes when adults say this to children I look into their faces. They look like someone on the top seat of the Ferris wheel who has had too much cotton candy and barbecue. They'd like to get off and be sick but everyone keeps telling them what a good time they're having.
I remember telling people I booked this job; they were like, 'What is it called?' I was like, 'Peaky Blinders,' and they were like, 'What?' It sounds ridiculous, but I like it because there's an instant intrigue about the name.
I feel like you should always be questioning the genre you're doing. If you're doing something that sounds like a lullaby, it can be good to make it about someone stalking someone.
People hate to describe their music. What we have come to call it is "beat up your mom" music. As far as describing what it sounds like, I guess you'd have to listen.
I don't have a diet, and whenever I feel like eating a burger or pizza or tacos, I just go for it. I feel like my body is telling me I need that. I think it's important for an actress to look like a real person.
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