A Quote by Chester Brown
'Penthouse' didn't seem to concentrate as much on the girls' faces, and I really wanted to see the girls' faces. It seems like through the 1980's, they almost went out of their way to obscure the girls' faces.
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Penthouse' didn't seem to concentrate as much on the girls' faces, and I really wanted to see the girls' faces. It seems like through the 1980's, they almost went out of their way to obscure the girls' faces.
I went to New York for Fashion Week and girls showed up waiting to see me. It's funny because there's a group of girls who I actually recognize because they always show up. It's nice and I'm like, 'Hi girls! I recognize your faces!' It's just like a feel-good experience.
I'm mortified when I see 20-year-old girls changing the shapes of their faces or plumping their lips out or their cheeks.
I'm not so interested in perfect, plastic beauty, and I think it translates in the girls I've shot over the years for Nars, from Guinevere to Iris to Mariacarla. I love those girls. I love the more interesting faces, with maybe a strange nose, not just the Texan blonde. By picking those girls, I think it's changed what I've seen in other campaigns.
I like both athletic girls and girly girls. It depends on their personality. I like girls who can go out and play sports with me and throw the football around, but you don't want a girl who's too much tougher than you. I like brainy girls who can respond to what I'm saying.
Cartoons for girls don't have to be a puddle of smooshy, cutesy-wootsy, goody-two-shoeness. Girls like stories with real conflict; girls are smart enough to understand complex plots; girls aren't as easily frightened as everyone seems to think.
If you ever want to see heaven, watch a bunch of young girls play. They are all sweat and skinned knees. Energy and open faces.
I began to understand that there were certain talkers - certain girls - whom people liked to listen to, not because of what they, the girls, had to say, but because of the delight they took in saying it. A delight in themselves, a shine on their faces, a conviction that whatever they were telling about was remarkable and that they themselves could not help but give pleasure. There might be other people - people like me - who didn't concede this, but that was their loss. And people like me would never be the audience these girls were after, anyway.
When I write, I speak with ghosts for years, and I see images that are a little bit out of focus. I see faces, but the faces change. At the moment that it's a real human being that's flesh and bone, it changes a character. It's much more precise and complex.
It's funny, but certain faces seem to go in and out of style. You look at old photographs and everybody has a certain look to them, almost as if they're related. Look at pictures from ten years later and you can see that there's a new kind of face starting to predominate, and that the old faces are fading away and vanishing, never to be seen again.
I went to an all-girls boarding school for most of my youth. We used to do stupid, fun girly things like pull tights over our faces and streak through the lacrosse pitch. And once I snogged the gardener.
Yes, I like girls; Yes, I like boys; I like boys who like boys; I like girls who wear toys and girls who don't; I like girls who don't call themselves girls; Crew cuts or curls or that really bad hair phase in between.
Lookin' for love in all the wrong places, no fine girls just ugly faces.
My fan interactions are really, really special. They're one of the highlights of this job for me, because I go out and do these conventions all across the world and meet all of these young girls - girls that look like me, and girls that look nothing like me, that are excited and empowered to see a woman of color on television. I'm really grateful for the fans that I have.
I shall praise those faces which seem to project out of the picture as though they were sculptured, and I shall censure those faces in which I see no art but that of outline.
Just as a human soul that faces great difficulties also faces great opportunities for spiritual growth, so a human society that faces destruction also faces the opportunity to enter a period of renaissance. I think that, barring an accident, the wish to survive will keep us from a nuclear war.
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