A Quote by Chet Atkins

If you hear something you like, and you're halfway like the public, chances are they'll like it too. — © Chet Atkins
If you hear something you like, and you're halfway like the public, chances are they'll like it too.
He's halfway sick and halfway stoned. He'd sure like to kick, but he's too far gone. So they wind him down with methadone.
Whenever I hear somebody cover a song, I don't like to hear it stray too far from the original. I like to hear some of the new energy that a band will put into it, but you kind of want to hear some of the basic parts of the song. I mean, that's what makes it the song that you like.
We make music for a living. Like I've always said, if you like what you're doing, you're halfway there; if someone else likes it, that's even better. If they don't like it, at least you like it. Not to be selfish, but you kind of have to be.
Obviously, you take the risk to step over the line any time you do something where comedians interact with each other. Like a roast, somebody's always going to cross over the line. As far as the public goes, I like feedback, I like to hear laughter, and I like the occasional pointed heckle, but it's true: Everybody thinks that they need to express their opinion now. There's been this sea change where people are constantly writing to me directly about stuff, where in the past you'd never hear about it, because nobody would try to find you to make one of their stupid comments.
I don't like being out in public too much. I don't like going to bars. I don't like doing celebrity stuff.
I want to make sure I'm fly. Nothing too baggy, something that fits right. I just like that feeling when you go out in public and everyone's like "Wow, that's an awesome outfit."
There's something I really like about network TV. You have this humongous audience, tens of millions of people, and you really can be in a little hut in Thailand; you really can be in the middle of an apartment in Dubai. There's something about public entertainment that I always liked. I like smaller movies, and I like public entertainment.
The public does not like you to mislead or represent yourself to be something you're not. And the other thing that the public really does like is the self-examination to say, you know, I'm not perfect. I'm just like you. They don't ask their public officials to be perfect. They just ask them to be smart, truthful, honest, and show a modicum of good sense.
If you spend too much time being like everybody else, you decrease your chances of coming up with something different.
I just write about how I'm feeling at the time. If I feel like being cheeky and a bit straight up and a bit aggressive, you'll hear that in my music. If I feel like being very vulnerable and opening up about something personal, you'll hear that, too.
Even listening to a lot of other music inspires me, too. Like I'll find something and be like, "I love this group!" And I want to write something that's kind of like this.
What are you?" I whispered. He shrugged again. "Something," he said. "Something like you, something like a beast, something like a bird, something like an angel." He laughed. "Something like that.
I've got a few reasons why I've got to maintain stability. I've got into wanting people to hear my music. I've got something I want people to hear because I know they'll like it. They've gotta like it! The songs I've been writing are the sort of things you have to like.
When I hear my favorite songwriters write about things they clearly have not experienced, like "Isis" by Bob Dylan or a lot of Bruce Springsteen songs or something like that, I'm always like, "Man, how do I tap into that?" Every time I tried to do something that wasn't autobiographical I felt pretty phony.
I don't think I'm unique or that I'm trying to do something unique, but I feel it is something I would like to hear. This kind of music I would like to listen to but I can't hear very often.
In public, I like real conservative clothes, something that's not too flashy. But onstage, I like 'em as flashy as you can get 'em.
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