A Quote by Chevy Chase

When I saw 'Caddyshack,' I realized I couldn't act. — © Chevy Chase
When I saw 'Caddyshack,' I realized I couldn't act.
'Caddyshack' touched people; so did 'Tron.' 'Caddyshack' is a lifestyle, and 'Tron' is more religious, spiritual, but both are very emotional responses.
My dream career would be to be in things that have real heart and are telling real stories but while doing that, you're getting really big laughs. I don't necessarily love the straight crazy comedies. 'Caddyshack' is amazing, but there's not a lot of new 'Caddyshack's.
I realized that public affairs were also my affairs. I became active in politics because I saw the possibility, if we all sat back and did nothing, of a world in which there would no longer be any stages for actors to act on.
This is nothing new. We saw this with the Social Security Act, the Civil Rights Act and the Voting Right Act - constitutional challenges were brought to all three of these monumental pieces of legislation.
I spent my 20s earning minimum wage decorating cakes for a living. But one day, I looked in the mirror and realized I wanted more, for me and my people. I saw too many Native Americans struggling, and I realized we should have a voice in who our elected officials are.
I saw this documentary he did years ago called 'Fade to Black.' I was always a Jay Z fan - I liked Jay Z - but after I saw that documentary, I loved Jay Z. I realized how intelligent he was.
Making 'Caddyshack' was like an exercise in controlled chaos.
As a comedian, I'm always quoting 'Caddyshack' and 'Dumb and Dumber.'
I never saw myself as a comedian. I saw myself as a guy who can act funny.
Let's consider: at the time of the Buddha, when he attained enlightenment, according to the old texts, in the first watch of the night, he went through all of his past lifetimes. Then in the second watch of the night, his mind opened still further and encompassed the coming into being and dying and re-coming into being of all beings, everywhere. The third watch of the night, he realized interdependent origination. He realized interdependent origination because he saw it. It wasn't some theory he thought up. He saw it. That was his enlightenment experience. That was why he was a Buddha.
In Vice, I saw all of it in one. I saw a studio. I saw a content creator. I saw an agency. I saw a distributor. We want to learn from them. They're talking to a generation we're struggling to connect to as an industry.
Making dances is an act of progress; it is an act of growth, an act of music, an act of teaching, an act of celebration, an act of joy.
The original 'Caddyshack' with Chevy Chase and Bill Murray is one of the best comedies ever made.
The American society around me looked at me and saw Japanese. Then, when I was 19, I went to Japan for the first time. And suddenly - what a shock - I realized I wasn't Japanese; they saw me as American. It was an enormous relief. Now I just appreciate being exactly in the middle.
It's always great to see one of the actors I've worked with from 'Caddyshack' and 'TRON.' I run into them occasionally at events.
Every Motown act dressed classy, and we were clean-cut. Whenever you saw a Motown act, they were polished, and they knew how to treat people.
This site uses cookies to ensure you get the best experience. More info...
Got it!