A Quote by Chevy Chase

It's about timing and rhythm. But who could be better than Chaplin or Keaton? — © Chevy Chase
It's about timing and rhythm. But who could be better than Chaplin or Keaton?
Comedy isn't necessarily all dialogue. Think of Buster Keaton: the poker face and all this chaos going on all around him. Sometimes it's a question of timing, of the proper rhythm.
Pace, rhythm and timing. Pace, rhythm and timing is what it's about. The content's got to be great, but then it's got to be delivered. It's a tricky thing to do, and it takes a lot of work.
When I was a kid, I loved all the silent comedians - Buster Keaton, Laurel and Hardy, Chaplin. And I used to imitate them. I'd go to see a Buster Keaton movie and come home and try things out I'd seen. I learned to do pratfalls when I was very young.
I read every book about Buster Keaton and Chaplin to see how they worked - it's all about dedication, tunnel vision, pursuit of perfection, getting the gag right.
Acting is all about timing. I mean, who has better timing than the MCs?
I was a big fan of Buster Keaton and Charlie Chaplin.
Timing is so important! If you are going to be successful in dance, you must be able to respond to rhythm and timing. It's the same in the Spirit. People who don't understand God's timing can become spiritually spastic, trying to make the right things happen at the wrong time. They don't get His rhythm - and everyone can tell they are out of step. They birth things prematurely, threatening the very lives of their God-given dreams.
I love Fatty Arbuckle and Buster Keaton, but not Charlie Chaplin.
Chaplin and Keaton are still the best. They know that there is nothing more serious than laughter, an art demanding infinite work, and that as long as the world revolves, making others laugh is the most splendid of activities.
I think physical comedy is an amazing asset because it tells a story that's more universal than just language and dialogue. I grew up watching Charlie Chaplin and Buster Keaton. They're very powerful figures in my life.
I grew up on Harold Lloyd, Charles Chaplin, and Buster Keaton, and those were the ones who inspired me.
Everyone seems to have this awareness of Charlie Chaplin because he was a really good businessman while Buster Keaton wasn't.
Chaplin was my idol. I remember watching those movies at this little theater in Woodstock, N.Y., when I was probably 6 and laughing so hard at the surprises, like Keaton suddenly being dragged by a streetcar.
My parents loved comedies, so we saw Buster Keaton, Charlie Chaplin, the Ritz Brothers, and the Marx Brothers. I wanted to be one of them.
I liked the America of Bing Crosby, Charlie Chaplin and Buster Keaton - it was all a dream, of course, but a very alluring dream for a young man from Canton.
Offense is about rhythm and timing, and you're not going to always have that every game.
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