A Quote by Chevy Chase

I was very involved in political satire, and I'd been writing parody for 'Mad' and 'National Lampoon,' so I made up some strange story about Gerald Ford. — © Chevy Chase
I was very involved in political satire, and I'd been writing parody for 'Mad' and 'National Lampoon,' so I made up some strange story about Gerald Ford.
The parody is the last refuge of the frustrated writer. Parodies are what you write when you are associate editor of the Harvard Lampoon. The greater the work of literature, the easier the parody. The step up from writing parodies is writing on the wall above the urinal.
People are so sensitive about race that they can't hear someone speaking about their life in a very true way, or doing satire or political parody.
I'm concerned about the negative aspect of political campaigning in american nation, which is a new phenomenon. When I ran for president against Gerald Ford and later against Ronald Reagan we never referred to each other except as 'my distinguished opponent'. And had we criticised personally our opponent it would have been political suicide, we would have been castigated and condemned for it.
We live in an age that's very suspicious of preachy political rhetoric, which means that there's room for art that approaches these issues from the side - as satire, as parody, or as a kind of outlandish speculative proposition.
He (former President Gerald Ford) made it very clear that he did not agree with the reasons President Bush laid out for the war, namely the belief that there were weapons of mass destruction in Iraq or that there was some obligation that the United States or the president had to expand democracy.
I went to my first national convention in 1976, when my family supported [Ronald] Reagan over [Gerald] Ford, so we've always been Republicans, but we've always wanted the Republican Party to be the party of fiscally conservative, limited-government types. And I think, sometimes, we haven't done that as well.
Bob Gates is really emblematic of the modern CIA. He joins it in 1968, just a day before the Soviets invaded Czechoslovakia. And, of course, he rises very quickly. In less than six years, he's on the National Security Council staff, at the closing weeks of Richard Nixon's presidency and then on into Gerald Ford.
Gerald Ford brought to the political arena no demons, no hidden agenda, no hit list or acts of vengeance. He knew who he was, and he didn't require consultants or gurus to change him.
I was very young, and I remember this heated, passionate argument and trying to figure out some place called Vietnam, something called a Watergate, and some guy named Gerald Ford who my dad knew who had just become president, and how all these things fit together.
I had grown up as a feature writer, and basically my career had been in The National Lampoon and as a magazine editor, and I'd never been a reporter.
You start out with Mad magazine, and you go right through the sort of black humor of Lenny Bruce, Lord Buckley, Mort Sahl, Paul Krassner... If you put Lenny together with Mad magazine and run it through the brain of a college student, you get National Lampoon.
Translation is harder, believe it or not. You do have to come up with a story, and actually I'm mystified by that process. I don't exactly know how the story just comes, but it does. But in writing a story that you're inventing, versus writing a story that somebody else has made up - there's a world of difference. In translation you have to get it right, you have to be precise in what you're doing.
I started writing when I was a journalist. But every time I sat down to write a novel or a story, I ended up writing about myself, which was incredibly annoying and self-involved.
The Lampoon was definitely quite formative. You know there's a crazy like kind of network of comedy writers from The Lampoon that are, that kind of you know like Seinfeld and The Simpsons and a lot of shows kind of had a lot of kind of Lampoon writers and so that was very formative. I mean, to me I got interested in comedy writing at an early like reading like Dave Barry.
[Gerald Rudolph ] Ford pardoned Richard Nixon to save everybody that, and the Democrats were ticked about it.
I loved the old stories in National Lampoon, like the original story the movie Vacation was based on. I used to laugh at them until I cried.
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