A Quote by Chevy Chase

I come from a much freer kind of performance thing, where I rely on my own improv and my own sense of humor. — © Chevy Chase
I come from a much freer kind of performance thing, where I rely on my own improv and my own sense of humor.
Chicago was where I realized that improv is its own thing, its own art form. And through that, you kind of develop a work ethic of not selling it short.
You don't know being a performer what kind of performance you're going to give. You know you can give a certain quality of performance, but as I grow older I'm much more content in my own skin because when I come offstage, I have a balance in my life.
I think a band that doesn't have a sense of humor can come up with their own take on whimsy.Kind of lead-footed and ham-handed, but I think just all the better for that.
I think people are sexy when they have a sense of humor, when they are smart, when they have some sense of style, when they are kind, when they express their own opinions, when they are creative, when they have character.
Probably the most important single element that I found in my own marriage was a sense of humor. My wife had a delicious sense of humor, and I think I have an adequate one.
Improv changed my life in the best way. I gained so much confidence and really learned how to use my sense of humor to do something other than make sarcastic comments to the TV, though that remains one of my best skills. I stayed in Chicago for college mainly to continue doing improv, which was an awesome decision for me.
Normally, with stand-up, it's quite solitary, you write the material on your own, you perform it on your own, it's all very much on you. Your own thoughts. You have to sort of modulate your own performance.
I feel that I am much freer if I'm on my own, but I'm sure that there are a lot of painters who would perhaps be even more inventive if they had people round them... I find that if I am on my own I can allow the paint to dictate to me. So the images that I'm putting down on the canvas dictate the thing to me and it gradually builds up and comes along.
The one thing I didn't expect was to learn how much of a sense of humor Jerry Reinsdorf has. He's really funny. I never got a chance to see his sense of humor when I was working for him or playing for him.
The gospel shows us that our spiritual problem lies not only in failing to obey God, but also in relying on our obedience to make us fully acceptable to God, ourselves and others. Every kind of character flaw comes from this natural impulse to be our own saviour through our own performance and achievement. On the one hand, proud and disdainful personalities come from basing your identity on your performance and thinking you are succeeding. But on the other hand, discouraged and self loathing personalities also come from basing your identity on your performance and thinking you are failing.
I don't rely on anybody except my own judgment. I don't get much input. I don't know if that's helped me or if I would be better off if I did rely on someone.
But it also became the experience, or was the experience, of the writers who were attracted to this kind of humor. They're all men or women who come from the same kind of experience in their own lives.
. . .a sense of humor can be a great help-particularly a sense of humor about (oneself). William Howard Taft joked about his own corpulence and people loved it; took nothing from his inherent dignity. Lincoln eased tense moments with bawdy stories, and often poked fun at himself-and history honors him for this human quality. A sense of humor is part of the art of leadership, of getting along with people, of getting things done.
My interest in time emerged out of an engagement with the media that I was working with. Film and performance are temporal media. They rely on time. When I'm carrying out a performance, it matters, for example, how long I hold one particular gesture or posture. Seriality is very important too. Performance can be used to dilate time or to repeat time. And video, in turn, has its own time.
In the B-52s, each of us has our own wacky sensibility, which, when we come together, it's like the four-headed monster. And it's great because we have the same sense of humor.
My confidence was more of a fake-it-until-you-make-it kind of thing. I tried to build my own confidence and not rely on the opinions of others.
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