A Quote by Cheyenne Kimball
TV does so much these days. It is such a great platform for an artist.
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I've been writing so much. And what happens with TV is that they split [Taboo] into two blocks, so you get a director that does four and another director that does another four. You commit yourself to seven days a week, for 12 or 13 hour days for a long time. I couldn't really do that.
The great thing about Ticketmaster is that it's seen as the comprehensive site for ticketing, artist information, venue information. We're a marketing platform, not just a technology platform, and we're going to build on it.
Kids are much more intuitive these days. Not that I'm crazy about what's on TV, but they know so much these days.
In TV, you are much more likely to see the episode closer to the script as written - in terms of the order of the scenes - than you would in a movie, and here's why: you don't have as many days to edit. You have 10 to 12 weeks or more to edit a feature, and you have four days to edit TV. That's a huge difference.
Both TV and movies seem to be produced in a more similar way as time goes on. It used to be that movies were much bigger productions on every level and took much longer to shoot. I liked that. But with the advent of digital, everything can be done much quicker and cheaper, and that seems to be the goal of most movies and TV these days.
All the big actors are now on TV, and all the big actors have come from TV. It's a great platform.
I'm not one of these people who says, 'I don't watch TV much.' Or looks down their nose at TV and they watch it for 20, 30 hours a week. I'm so busy. I work seven days a week that I just don't watch TV.
As Christians, we must see that just because an artist-even a great artist-portrays a worldview in writing or on canvas, it does not mean that we should automatically accept that worldview. Good art heightens the impact of that worldview, but it does not make it true.
I'm pretty excited about the state of TV these days. There's great opportunity for really complicated relationships, in a way that I don't really see as much in movies anymore.
Being a part of the WWE, I am blessed to have a platform both on social media and TV, with that platform I am able to spread my message and share my story.
I mean come on. Do you know how easy it is to be famous these days? Do you have any idea? The web has made it plausible to have your very own platform to stand and spew nonsense from on an hourly basis. There's an old saying: when everyone is special, no one will be. These days, everybody thinks they're special, so no one really does anything to be special anymore.
I sometimes think to myself, you're not going to meet a new friend of any kind at home in front of the TV with your DVR. As much as it's great, and there are so many good shows on TV, and I have great books that I'm reading, get out and interact with people.
Can you blame them? We have to filter so much information these days. But it does make it difficult for an artist. I'm 46 years old now. I've had a lot of life experience and my voice has changed. People who expect the same old me are bound to be disappointed.
These days with our economy changing so much, there's not as much TV being made and there's a lot more reality these days, and not as many films being made. I find a lot of my friends who have been acting their whole lives having a hard time finding jobs these days. It's a tough time right now for everybody, which is why I feel very fortunate to have a great job right now.
But if acting is something that you're extremely passionate about, I think you should always follow your heart and always follow your dreams. My parents taught me that at a young age and I think it's so true.
Sanders insists the party adopt 'the most progressive platform ever passed' at its Philadelphia convention. Since when does the runner-up get to dictate the platform?
That is why the analogy of stealing does not work. With a thief, we want to know how much money he or she stole, and from whom? With the artist it is not how much he or she took from whom, but what the artist did with it.
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