A Quote by Chi Chi DeVayne

In the beginning, believe it or not, me and Acid Betty were good friends. — © Chi Chi DeVayne
In the beginning, believe it or not, me and Acid Betty were good friends.
In the beginning we were creating our music, ourselves, every night . . . starting with a few outlines, maybe a few words for a song. Sometimes we worked out in Venice, looking at the surf. We were together a lot and it was good times for all of us. Acid, sun, friends, the ocean, and poetry and music.
Elvis and I were very good friends. We were such good friends that, on the day that he passed, I was the first one his father called, to let me know what had happened.
The bottom line is, I'm blessed with good health. On top of that, I don't go around thinking 'Oh, I'm 90, I better do this or I better do that.' I'm just Betty. I'm the same Betty that I've always been. Take it or leave it.
I wasn't in school often enough to really belong to a 'clique,' but my friends all studied hard and got pretty good grades. They were good people with self-respect. I still like to be friends with people I admire something about; I really believe that we become like the people we're surrounded by, so I choose my friends carefully!
I had my group of friends, and they stayed my group of friends, they were good about that. We all started to succeed at the same time, so that sort of took the curse off it. I didn't have a bunch of people scowling at me and being potentially jealous. I just had good friends who I was able to help, and they helped me. Yet it eventually came to feel debilitating.
From the beginning, the camera and I were great friends. It loves me, and I love it.
Friends, you and me... you brought another friend... and then there were three... we started our group... our circle of friends... and like that circle... there is no beginning or end.
People have told me 'Betty, Facebook is a great way to keep in touch with old friends...' .. At my age, if I wanted to keep in touch with old friends, I'd need a Ouija board
I just thought it could make a really cool movie. It's not that it's just a buddy comedy but it's all about two guys hating each other and towards the end they're good friends. I liked that these two guys were best friends from the very beginning, and they're crazy.
I was never a prisoner of any theory. What guided me were reason and reality. The acid test I applied to every theory or scheme was: Would it work? The acid test is in performance, not promises. It is not from weakness that one commands respect. As long as the leaders take care of their people, they will obey the leaders.
Betty's a good Muslim woman and wife. I don't imagine many other women might put up with the way I am. Awakening this brainwashed black man and telling this arrogant, devilish white man the truth about himself, Betty understands, is a full-time job
[Dario Argento] speaks very broken English - he's Italian, so I'm going to do a very bad Italian impersonation - but he asked me my name, and I told him, and he goes, "Walk across the room." He looked at me, and he said, "Do you want to be in my movie [Two Evil Eyes]?" I was, like, "Yeah! Yeah, I do!"He goes, "Okay! You play Betty!" And I was, like, "Oh, I'm playing an extra named Betty! Great!" So we walked out, thinking that I was playing an extra named Betty, no lines, just background.
Betty White is a riot. She is a good time! That is the bottom line: Betty White is a good time. She is really an incredible woman. She is so kind. She doesn't have one mean bone in her body, and she is the funniest woman in the room always. And you'll never hear one complaint from her.
My come-out record, '10 Day,' was the thing people were supposed to hear and figure out 'he's good' or 'he's not good.' 'Acid Rap' is the comeback tape, and it asks way bigger and better questions than, 'Is he good at rapping?
My come-out record, '10 Day,' was the thing people were supposed to hear and figure out 'he's good' or 'he's not good.' 'Acid Rap' is the comeback tape, and it asks way bigger and better questions than, 'Is he good at rapping?'
Could it be? Samantha Kingston? Home? On a Friday?” I roll my eyes. “I don’t know. Did you do a lot of acid in the sixties? Could be a flashback.” “I was two years old in 1960. I came too late for the party.” He leans down and pecks me on the head. I pull away out of habit. “And I’m not even going to ask how you know about acid flashbacks.” “What’s an acid flashback?” Izzy crows. “Nothing,” my dad and I say at the same time, and he smiles at me.
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