A Quote by Chi Chi DeVayne

I wanted to prove to people that I can make great costumes. — © Chi Chi DeVayne
I wanted to prove to people that I can make great costumes.
I always like to be somebody scary. When I was little, my mom used to make our costumes. She's really creative and would make us great costumes without having to spend a lot.
I've been going long enough to prove what I wanted to prove, to get the girl I wanted to get, to make the money I wanted to make, to drink all the beer I wanted to drink. I've played - not exactly everywhere, but I've played enough places.
I once wanted to prove myself by being a great actress. Now I want to prove that I'm a person. Then maybe I'll be a great actress.
I know for me, I wanted to prove everyone wrong and prove that I could make it on my own.
I've always wanted to do a period drama - I love the costumes and the make-up.
I wanted to prove to people it doesn't matter if you come from a small little island: that you can make it in this industry.
I have often been asked what I wanted to prove by my photographs. The answer is, I don’t want to prove anything. They prove to me, and I am the one who gets the lesson.
Many came to the USFL after being cut by NFL teams or failing to even make a roster, some were Canadian league players who wanted to make a step up, and every one of them wanted to prove he was good enough to make the NFL.
You have to do what you have to do. I wanted to work. I wanted to prove that I was worthy of being here... and I was gonna do whatever it took to prove that.
Since I was a kid, music was what I wanted to do. I thought I could make it by my own talents. That's what I wanted to prove.
I didn't want to go out there and prove to everyone or try to prove people wrong or what I can do. I just wanted to play my best, and, if I'm gassing at the end of the game, then that means I did a good job.
I didn't make a film because I wanted a starring role. I made a film because I wanted to tell a story and I wanted to prove that I could direct.
I wanted to do what I was seeing Dorothy Dandridge doing, what I saw Marilyn Monroe do, what I saw Bette Davis do. I wanted to do that: to tell stories. I wanted to make people laugh, make people cry. I wanted to be a storyteller.
For 'Singin' in the Rain,' I bought most of the costumes - the 'Fit as a Fiddle' costumes and the 'Make Them Laugh' Donald O'Connor outfits and the 'Good Morning, Good Morning' clothes we danced in.
You start out with big dreams and I mean, big dreams artistically. You want to work with the greatest living directors, make a great movie. I wanted to make a great love story, I wanted to make a great epic and then you realize that the truth of it is that it's so hard to make a great film. It's hard to get a great role. Those big expectations change to realism pretty quickly. But what's never changed is my desire to work with great directors and to find projects that push me out of my comfort zone and keep me alive. I still don't think I've done my best work
You have different stages in your career where you have different things to prove. And early on, like most people who move to Nashville, I wanted to prove that I belonged here, that I belonged in this format, that I had a love for it.
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