A Quote by Chi Chi Rodriguez

Music is not supposed to rile you up. Music is something to bring you down. — © Chi Chi Rodriguez
Music is not supposed to rile you up. Music is something to bring you down.
Music-wise, I like anything with a beat to it. With walkout songs, I pick something to keep me going and to rile me up.
I realized that it's all really one, that John Lennon was correct. We utilize the music to bring down the walls of Berlin, to bring up the force of compassion and forgiveness and kindness between Palestines, Hebrews. Bring down the walls here in San Diego, Tijuana, Cuba.
I think music can heal your soul if you'll let it. It can also bring you up if you're down. It can also bring you down if you're too up. It's a mood thing.
Some music is supposed to be disposable; that's OK. A lot of music is fun for today, but it isn't supposed to be timeless; it's supposed to be trendy.
I’ve broken a cardinal rule of art, music, and career paths: actors are supposed to act, and musicians are supposed to music. That’s how it works. You don’t buy fish from a dentist, or ask a plumber for financial advice, so why listen to an actor’s music?
I also combined the R&B feel with the pop music of Taiwan... I wanted to bring the R&B flavor and other Westernized sounds to my music, because that's the type of music I grew up listening to.
I'm not supposed to be playing, the music is supposed to be playing me. I'm just supposed to be standing there with the horn, moving my fingers. The music is supposed to be coming through me; that's when it's really happening.
I don't need a sensationalized headline to sell music or to bring attention to my music. It's the music and it's always been about the music.
I'm not interested in stirring anybody up through music. If you're going to stir people up, it has to be a thought process that has nothing to do with music. I see music as having to do with an internal thing. Something that stirs you up is external.
I loved this idea of always being a foreigner. There's this thing where people bring cultures, bring the music together. I love it when the music, when the cultures collide and something sort of new comes out of it.
Earth, Wind & Fire was something new. I wanted to bring something innovative to the music. It was out of a desire to create excitement with music that was pleasurable to play and listen to.
I think that music is still a mystery to most people. It kind of goes through most people without a specific thought. They feel the music, which is what's supposed to happen. They're not supposed to be curious about who wrote the music; they're supposed to feel what the show is trying to get them to feel. So if I help get that feeling across, that's good enough for me.
Music is monophonic in the Eastern world, especially if we're talking about Indian music, Persian music. What we have in classical and Western world is harmony. So I think it's a great idea to be able to bring the best of two together and create something new.
What bothers me is when music becomes entertainment. Of course, music is supposed to be entertaining, but go back to any period of time - music had a cultural significance on different levels, whether it was folk music, it was the news of the village, or it had to do with the rites of passage.
When I first started writing music, it was all really angry, angst-y lyrics. But then there was a point where I realized that people are clearly listening to what I have to say, so if I have the power to bring somebody up, why would I bring them down?
We were so influenced not only by country music but by the rock bands of the '80s. Our focus was to bring in something different. Country music already had a George Strait and Alabama. We wanted to put some pop music in our show.
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