A Quote by Chiaki Kuriyama

I think probably like seeing women fight because we're generally not thought to be strong, especially in the case of this movie. — © Chiaki Kuriyama
I think probably like seeing women fight because we're generally not thought to be strong, especially in the case of this movie.
[Women photographers] provide an inspiring reminder to all women that the choice to see, or be seen, is ours. We live in a culture in which this decision is undermined by the notion that the single most valuable contribution a woman can make is to be visually attractive. Women photographers make a strong case for seeing and an even stronger case for recording what you see.
For me, I believe that just seeing women be strong and tough is not answering the question of what a female hero looks like. Women have their own set of skills that are worth exploring and seeing on screen.
You look at Kerry Washington on 'Scandal,' and a lot of the women on that show in general are very strong, and I think we're seeing it more, and I'm excited because when I was doing Dana Gordon on 'Entourage,' there weren't a lot of strong female characters, which is why I think she came out as such a standout character.
I like strong women. I think a lot of women relate to strong characters, and a cop is still a strong character.
My character is somebody who is smaller in stature and yet who's strong, so to see the fighting situations between people who are not generally thought of being strong is in itself unusual and therefore interesting, I think.
[The movie Beaches] was really about how women fight. Women fight, say terrible things to each other and an hour later they make up and go shopping. I think they got the better idea of how it should be done.
It's interesting when people say, 'You always play strong women,' because as far as I'm concerned, women are strong. I think that's what women are. We have got that vulnerability, but we have got that strength. We are survivors.
For some reason, my main movie, Lady Sings the Blues, to me really isn't me. I really can let go of Diana Ross when I see the movie. I'm really objective when I'm watching it. I liked that movie so much. That movie was like magic so that when I'm looking at it I'm really not seeing myself, I'm seeing the actress. I'm seeing another person, not the me of me.
I just have that cop gene going on. I like strong women. I think a lot of women relate to strong characters, and a cop is still a strong character.
A big misconception is that women shouldn't be in the UFC because we fight 'like girls,' but I think women have some of the most exciting fights.
Life isn't about the final moments, it's about the journey, it's about process. What makes Rocky work as a movie is seeing him working his way up from the streets to the arena and the fight of his life. You could just show that fight, and it would be great, but seeing that journey illuminates that fight and adds profound meaning to it.
Life isn't about the final moments, it's about the journey, it's about process. What makes 'Rocky' work as a movie is seeing him working his way up from the streets to the arena and the fight of his life. You could just show that fight, and it would be great, but seeing that journey illuminates that fight and adds profound meaning to it.
I like strong, strong women who don't go down without a fight. I like iconic roles. They don't come around very often, so I have to wait for them. Obviously I'm not the typical blonde who stands by the side, while the man has all the fun.
I actually felt like college was a much better and more comfortable environment for me than high school was. I think that can largely be attributed to the fact that I go to Barnard, which is a women's college that promotes women's leadership, a strong community and independence which are all things I obviously value. Before I got to school I think I expected most women there to identify as feminist, which I found wasn't necessarily the case, but I loved that I was able to have really intelligent and stimulating conversations with women about feminism no matter how they identified.
Sometimes I feel like every movie I make could be the last. I know that's not really the case, but if I think about it that way and I'm very careful, then maybe I can build a career, movie by movie, that I'm happy with.
Producers don't like the director who ignores their opinion - but I always try not to be the nicest person when making a movie. It's easy to do that. Just say 'Yes sir', "Alright', 'Okay' - but they're not seeing the movie because if they can, they should be directing the movie.
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