A Quote by Chiaki Kuriyama

I didn't understand the American fascination with the Japanese schoolgirl. No, I don't think I can, really. — © Chiaki Kuriyama
I didn't understand the American fascination with the Japanese schoolgirl. No, I don't think I can, really.
I think I was a Japanese schoolgirl in another life. That's how much I love Hello Kitty.
It's still hard for me to understand, what is to me, the morbid fascination with celebrity. I just want to sing, I want to work on my music, I want to make my movies, that's all I want to do. I understand, you know, the interest but I really don't understand the fascination with it.
Take a random group of 8-year-old American and Japanese kids, give them all a really, really hard math problem, and start a stopwatch. The American kids will give up after 30, 40 seconds. If you let the test run for 15 minutes, the Japanese kids will not have given up. You have to take it away.
If you're Japanese and you signed up for Pinterest in Japan, you see Japanese ideas, not American ideas that look Japanese - it's a very big difference.
During World War II, law-abiding Japanese-American citizens were herded into remote internment camps, losing their jobs, businesses and social standing, while an all-Japanese-American division fought heroically in Europe.
Americans really don't understand the Japanese nature, but it's not an easy thing to understand.
I understand the Rooney Rule and I understand why it is critical in America. I certainly think there are differences between the American system and in American football, there is such a large percentage of players who are of ethnic backgrounds. I think there is a difference here... I don't think its appropriate here.
As far as I have been able to understand, the Japanese seem to keep things close to the vest. Friendly but remote and polite to the point of being invisible. It is in the music, literature, film and art that the Japanese really seem to express themselves.
As an American man of the 1990s writing about a Japanese woman of the 1930s, I needed to cross three cultural divides - man to woman, American to Japanese, and present to past.
I think that American people really know how to pursue fun, they really know how to have a good time. Japanese are somewhat more reserved than Americans, so I'm jealous.
I think that the Japanese - and I do love Japanese cuisine and adore Japanese food culture - I think that they're going to plow through the entire world's fishing. They're going to eat everything anyways.
I'm interested in people. I'm curious about people, and of course we're curious about people whose work we respond to. So I'm not saying that I don't understand fascination with other people. But as it's dealt with in this American, modern-day culture, I find it not just boring but actually sort of destructive, really.
I don't speak Japanese, I don't know anything about Japanese business or Japanese culture. Apart from sushi. But I can't exactly go up to him and say "Sushi!" out of the blue. It would be like going up to a top American businessman and saying, "T-bone steak!
Fascination with horses predated every other single thing I knew. Before I was a mother, before I was a writer, before I knew the facts of life, before I was a schoolgirl, before I learned to read, I wanted a horse.
They didn't incarcerate the Japanese-Americans in Hawaii. That's the place that was bombed. But the Japanese-American population was about 45 percent of the island of Hawaii. And if they extracted those Japanese-Americans, the economy would have collapsed. But on the mainland, we were thinly spread out up and down the West Coast.
The American society around me looked at me and saw Japanese. Then, when I was 19, I went to Japan for the first time. And suddenly - what a shock - I realized I wasn't Japanese; they saw me as American. It was an enormous relief. Now I just appreciate being exactly in the middle.
This site uses cookies to ensure you get the best experience. More info...
Got it!