A Quote by Chick Corea

If I had to look at 'Now He Sings'... from outside myself, I see it as a natural part of the growth of the jazz culture, which I've always been so happy - honored, really - to be a small part of.
I'm always happy to be a part of history. When you're a part of history, you live forever. 'The T.A.M.I. Show' will live forever because now it's brand new. We did that 40-odd years ago, and people are really starting to see it now. I was a part of history when I recorded that show.
A part of that [timewrap] for me was growing up in a culture that violence had always been a part of. It wasn't an aberration, though I realize that in retrospect. I grew up in the part of the U.S. where all of Cormac McCarthy's novels are set and that's a pretty violent place.
When I consider the small span of my life absorbed in the eternity of all time, or the small part of space which I can touch or see engulfed by the infinite immensity of spaces that I know not and that know me not, I am frightened and astonished to see myself here instead of there … now instead of then.
Fitness has always been a big part of my life, so I train twice a day, every day, as I always have done, but also eating very healthfully. I don't eat sugar, I don't have caffeine, I don't eat wheat - I look after my body outside and inside. It's just a part of who I've always been.
Jazz is not the popular culture. Jazz is in the same position in our culture as classical music. A very small minority of people really love it.
I was lucky enough to have had great success early on in life; to have had all the things the material world can offer. And yet, I realized that what I had actually neglected was the more spiritual side of myself, which has always been there. But it's easy for us in our culture to become consumed in a sense by materialism. Now materialism is fine. We live in a material world. I'm not saying that beautiful things don't enhance our lives. But, in our culture, we're never happy.
It was natural to see the struggle for dignity for black people in America as a sister struggle of the Jewish struggle. So growing up, it was always a part of my breakfast cereal to think of myself as someone who was part of a larger struggle.
I'm happy that the evolution of art in the past 25 years, and the place of art in global culture-and even finance-has gotten to be so important. One thing I'm really proud of is the fact that now anybody can do anything. The work can be small or large, painting or sculpture, whatever it might be-it's all viable, and it can come from any part of the world. So the idea of democracy has really taken hold.
It has been remarked that almost every character which has excited either attention or pity has owed part of its success to merit, and part to a happy concurrence of circumstances in its favor. Had Caesar or Cromwell exchanged countries, the one might have been a sergeant and the other an exciseman.
A good part of why I never went back to England was part of that, I didn't want to be in those sort of flowery films. But I think it's a nice change of pace-I don't know how long it'll go for. There will always be the Merchant-Ivory/Kenneth Branagh movies, but there's something else now-really, it's always been there but the Americans getting to see it makes all the difference.
Everyone for the most part is really nice. There have always been jokes, but that's part of being in the spotlight. You can't make everyone completely happy.
I'm so... Honestly, it's been amazing to be a part of this journey on 'Veronica Mars.' Because I started out, really, with a word on the show. So it's kind of fun to look back and be like, 'Wow, I was basically an extra,' but not really - I had a little part.
By seeing the otherness in that which is most unfamiliar, we can learn to see it too in that which at first seemed merely ordinary. If wilderness can do this - if it can help us perceive and respect a nature we had forgotten to recognize as natural - then it will become part of the solution to our environmental dilemmas rather than part of the problem.
I always leaned toward free jazz... experimental jazz and progressive jazz. I feel like jazz is just part of the flavor and palette that you have as a musician to experiment with.
I mean, part of the justification for art is art history, the fact that you're part of this tradition. You can't really operate outside of it. So looking for what this work is really about, if I look at Velázquez, if I look at Las Meninas or The Tapestry Weavers [1657] or something and really study it and try to figure out what that painting is really about, then I find relationships between what I'm trying to do and what he was doing.
I've always understood that meditation had to be part of - or was part of the natural path and so I've always sort of dabbled in it.
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