A Quote by Chico Hamilton

My roots and Victor's are jazz, basically, but these two young fellows that we have with us come out of rock bands. And they're tremendously exciting players. — © Chico Hamilton
My roots and Victor's are jazz, basically, but these two young fellows that we have with us come out of rock bands. And they're tremendously exciting players.
Until I was about 16 years old, my dream was to be a musician. I played in rock bands and jazz bands. Then I decided to be an actor and kept the stable career of 'jazz pianist' as my safety net.
There's very few rock & roll bands. There's rock bands, there's sort of metal bands, there's whatever, but there's no rock & roll bands - there's the Stones and us.
Truth of the matter is, jazz is American music. And that doesn't mean bebop. Jazz is really about improvising. All the music that's been created in America has been pretty much improvised... Whether it's hillbilly or rock n' roll for blues, it's basically jazz music... It's basically about another way of hearing what comes out of America.
I played in school jazz bands and tried to start rock bands, but nobody was interested.
I had 12 years of classical music as a child, playing piano competitions as a teenager, playing in blues bands and rock 'n' roll bands, country and jazz bands. I played in about any situation.
I was in punk rock bands, heavy metal bands, world music bands, jazz groups, any type of music that would take me. I just love music.
When I was a little kid wanting to play music, it was because of people like Pete Johnson, Huey Smith, Allen Toussaint, Professor Longhair, James Booker, Art Neville ... there was so many piano players I loved in New Orleans. Then there was guys from out of town that would come cut there a lot. There was so many great bebop piano players, so many great jazz piano players, so many great Latin piano players, so many great blues piano players. Some of those Afro-Cuban bands had some killer piano players. There was so many different things going on musically, and it was all of interest to me.
The bands that we've found we have something in common with are bands like The National or Tegan And Sara, and I feel like that's because all three of us come from more alternative rock backgrounds.
I started writing songs for youth theater and stuff, and so it's really writing music for the stage that started me out, but then I eventually went to music college and did a two-year course in contemporary music and then just played in endless bands, cover bands, jazz bands.
Two of my favorite bands, Blackberry Smoke and Black Stone Cherry, I just think both of those bands are a good new progressive kind of Southern Rock that's a little different than us but still has a rootsy thing going on.
I have a feeling that the kids are slowly returning to the roots, with this new Metal trend. I can really feel there are a lot of exciting young bands doing kinds of underground Metal, which of course is a lot more dirty than the stuff that we do, but I like it all the same.
I listen to all kinds of bands. I like rock music, like, male rock bands. I'm more into that instead of female singers. I like Nirvana, Green Day, System Of A Down. I also like punk rock, and I love bands like Coldplay.
There was a time, from 1935-1946, when teenagers and young adults danced to jazz-orientated bands. When jazz orchestras dominated pop charts and when influential clarinettists were household names. This was the swing era.
I was going to say is that I come from a rock background, but also I was super interested in jazz for a long time. I was training to be a jazz musician for quite a while. I never trained to be a classical composer or player, but I did train to play jazz.
I really thought I was gonna have a straight gig. But these jazz musicians put their arms around me time and again and said, 'Hey, young fella, you're one of us. Come with us.' That's a big deal when you're young and looking for your way in the world.
When I was nine years old, I started playing guitar, and I took classical guitar lessons and studied music theory. And played jazz for a while. And then when I was around fourteen years old, I discovered punk rock. And so I then tried to unlearn everything I had learned in classical music and jazz so I could play in punk rock bands.
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