A Quote by Chico Hamilton

In fact, I had to make an enormous adjustment to this, not only in listening to it but in playing with it. It's a full sound. In some instances, you must have the volume to get the effect.
Of what use is the universe? What is the practical application of a million galaxies? Yet just because it has no use, it has a use - which may sound like a paradox, but is not. What, for instance, is the use of playing music? If you play to make money, to outdo some other artist, to be a person of culture, or to improve your mind, you are not really playing - for your mind is not on the music. You don't swing. When you come to think of it, playing or listening to music is a pure luxury, an addiction, a waste of valuable time and money for nothing more than making elaborate patterns of sound.
In fact, the difference between creative and interpretive, it all starts with the writing. Then if you can get the money together to make the film, then you're in touch with the visuals and the actual creation, and the sound of what you want to mean. Of course, some directors get inspired by what people do anyway. Don't feel the need [to stick to the script]. In fact, they sometimes go "That's not what I had in mind, but that suits the purpose well.".
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If two or more instances of the phenomenon under investigation have only one circumstance in common, the circumstance in which alone all the instances agree is the cause (or effect) of the given phenomenon.
What puts me in the perspective of the power of a song is listening to it at full volume.
The most important thing for the conductor is that he or she listens. Her listening will make things sound a certain way. If the conductor listens well, the musicians listen each other better. The conductor can in effect impose a certain kind of listening for everybody.
There have been some incidents in which I was threatened and a couple of instances where I had to physically fight. Fortunately, I won in both instances.
Sound is your friend because sound is much cheaper than picture, but it has equal effect on the audience - in some ways, perhaps more effect because it does it in a very indirect way.
If sound is music and came from silence, then silence is potentially greater than sound. If the sound is effective, it should actually have a chemical - some sort of physiological - effect on the listener, so he doesn't have to hear that sound again.
There are two big adjustments you have to make as a rookie. I think the biggest adjustment you have is to know your playbook, and playing fast once you learn it. And then, every cornerback in the league, they're all good. In college, you might have some who are good and some who aren't.
Deep listening is the kind of listening that can help relieve the suffering of another person. You can call it compassionate listening. You listen with only one purpose: to help him or her to empty his heart. Even if he says things that are full of wrong perceptions, full of bitterness, you are still capable of continuing to listen with compassion. Because you know that listening like that, you give that person a chance to suffer less.
With the enormous and steady increase in the volume of our literature, we must rely more and more upon sympathetic selection, judicious editing, and the indexer who knows where to exercise discretion. Any simpleton can write a book, but it requires high skill to make an index.
Some people think that you have to be the loudest voice in the room to make a difference. That is just not true. Often, the best thing we can do is turn down the volume. When the sound is quieter, you can actually hear what someone else is saying. And that can make a world of difference.
You know, and the fact that Nina Simone had to start playing in clubs and sing because her parents had moved north to support her music education. You know, so she had to sing. She had to make a living 'cause she was supporting her family. So poverty and race put her in this place which, you know, created enormous success, but it's not what her psyche was all about.
This is a record I ended up having to make to get on to the next stage of my life. What I did was a desperate thing to do. I'm aware of the fact that it was irrational. I didn't mean to make it sound like it was my master plan. The tour had even been going all right, but I was just kind of fed up with the situation as it was, playing the same old rock and roll crap that everyone goes through, the general moaning when you really should be grateful that you don't work in the checkout counter at the grocery.
I deal in volume. To sell volume, it must be affordable. So that's my whole life, is to make it affordable.
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