A Quote by Chika Anadu
It was never a deliberate decision to make films about the 'woman experience'. Having said that, we are all many things - for example I'm Igbo and Nigerian, a director, a filmmaker etc., but I feel what affects me the most, especially the way people/society view or treat me, is the fact that I'm a woman, and I'm fascinated by that.
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It was never a deliberate decision to make films about the 'woman experience'.
A lot of people started asking me about this woman director thing, which I never thought about before. And I'd never really thought about how there aren't really many female directors. I knew it, but I'd never really sat down and thought about the implications of that, and what it meant for a woman to make a movie, and how it's viewed differently when a woman makes a movie about women.
I feel so British, but people would look at me and see a very African woman - the way I cook is very Nigerian, the way I dress I guess is quite Nigerian.
While my work is usually about the Igbo woman experience, there are many aspects of my female characters that women everywhere can and do relate to.
I'm happy that my films were discovered by chance by foreign film festivals. That makes me realise more that there is a world outside Japan too. For me, it's an occasion to meet many people and to experience directly the response of international audiences to my films. But for me as a director, my attitude towards making films hasn't changed with the fame. I feel it's not good to change as a person anyway
Diane Keaton, I've worked with her as a director, and I think she's a really intelligent woman. I like the fact that the things that make her feel beautiful are more than just her face; it's who she is, and I live by that same theory. There are things I want to achieve in my life intellectually that make me feel beautiful.
I love making films. I'm happiest when I'm doing it. For me, the fear is not being able to make the next thing and not being able, as a woman filmmaker and as a filmmaker of color, to put together the resources to make another thing.
Hong Kong people, they treat me more like a director, like a producer, like a filmmaker. If they recognize me, they treat me as a producer more than a star. And also, I make one movie in three years. I think they already forget who I am, because I've been away too long!
So when it comes to being a role model to women, I think it's because of the way that I feel about myself, and the way that I treat myself. I am a woman, I treat myself with respect and I love myself, and I think that if I'm holding myself to a certain esteem and keeping it real with myself, then that's going to translate to people like me.
We will face a lot of limitations and sometimes we do feel that it is not a very woman-friendly society but as individuals, we should just set an example and make women feel confident that you can do amazing things as well.
To seek out making films that are unique and insightful, boundary-pushing and genre-bending, and not films that fit into the neat, little boxes that people "want" (expect) women to be making. In some ways, I guess for me, any filmmaker should strive to be a good director first, regardless of their gender, race, sexual orientation etc.
Fox doesn't treat me any differently, and that's one thing I'm very lucky with - my network treats me like a woman, but they never make me feel like I don't fit in or anything like that, which is great. But within the industry, yeah. It's a double standard, but it's something that you have to deal with or try to make better; turn into a positive.
Going to space was a moment that people think was my Mount Everest, but it's not. I have so many Mount Everests. This just happens to be one of them. It has changed the way I approach things. I realize it's not about me; it's about what I did and about the person we had as a Canadian woman in space. I look at pictures of myself and say, 'That's the woman who did it'.
In my film 'Queen', there was a funny moment with the bra. My director called and said they are blurring the bra. They said it is vulgar. Our director was furious about it. We are artistes... We see props as they are. A woman's bra is not a danger to the society.
I try not to think of myself as a woman filmmaker. I don't look for women influences. I have noticed in the past few years that there is a certain ceiling that a woman filmmaker can reach. I don't believe that it's sexism per se, but there are certain expectations in the industry about what films should be, how they should be made, what stories they should tell, and it's a habit, it's a tradition.
What's been fascinating about shooting my series 'American Woman' is the ubiquity of a woman's experience - and no matter who you are: a rockstar, film director, mom - we all are celebrating this movement of female empowerment, but we also realize we have a long way to go.
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