A Quote by Childe Hassam
These small shows were decidedly a success. The exhibitions were not too large to be seen easily. It was not an effort, as larger collections of pictures usually are.
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Practice by drawing things large, as if equal in representation and reality. In small drawings every large weakness is easily hidden; in the large, the smallest weakness is easily seen.
The Beatles realized that what they were making in the studio could never be performed. And they had already given up on performing because there were too many screaming fans and they were playing in larger and larger venues so they couldn't even hear what they were playing, it just wasn't any fun any more.
As the children were sitting there eating pears, a girl came walking along the road from town. When she saw the children she stopped and asked, "Have you seen my papa go by?" "M-m-m," said Pippi. "How did he look? Did he have blue eyes?" "Yes," said the girl. "Medium large, not too tall and not too short?" "Yes," said the girl. "Black hat and black shoes?" "Yes, exactly," said the girl eagerly. "No, that one we haven't seen," said Pippi decidedly.
I collected pictures and I drew pictures and I looked at the pictures by myself. And because no one else ever saw them, the pictures were perfect and true. They were alive.
Clothing sizes are weird, they go: small, medium, large and then extra large, extra extra large, extra extra extra large. Something happened at large, they just gave up. They were like, 'I'm not doing any more adjectives; you just keep putting extras on there.' We could do better than that: small, medium, large, whoa, easy, slow down, stop it, interesting, American.
I always feel, I guess being a product of the movies of the 40s where movies were the greatest things and screens were big and palaces were palaces and stars were larger than life that reality was so much inferior to what we felt was conceivably possible from what we had seen in the movies.
Pictures! Pictures! Pictures! Often, before I learned, did I wonder whence came the multitudes of pictures that thronged my dreams; for they were pictures the like of which I had never seen in real wake-a-day life. They tormented my childhood, making of my dreams a procession of nightmares and a little later convincing me that I was different from my kind, a creature unnatural and accursed.
I started with small-press publishers, who were willing to publish all sorts of forms. I didn't move to the larger presses until they knew what they were getting in for.
We all felt the majesty of the body. In a very short period of time we had seen something that was bigger than each of us. A lot of people, even those who were not religious, were reverent and attributed the success to God. As we saw the artificial heart beat in Dr. Clark, the feeling was not aren't we great, but aren't we small.
There are more stars than there are people. Billions, Alan had said, and millions of them might have planets just as good as ours. Ever since I can remember, I’ve felt too big. But now I felt small. Too small. Too small to count. Every star is massive, but there are so many of them. How could anyone care about one star when there were so many spare? And what if stars were small? What if all the stars were just pixels? And earth was less than a pixel? What does that make us? And what does that make me? Not even dust. I felt tiny. For the first time in my life I felt too small.
When I say art influences me, which it does, it's not at all in a literal form. You go and see exhibitions or collections or meet an artist. It's all a compilation. Every moment, at all times, all this information. Then all this information disappears, and it shows up later in the process.
I have seen several deaths, too many deaths in my life, and they were all different. Each one was different. It didn't seem to be necessarily connected with the life of the person. Some people that were not particularly developed or outstanding or spiritual died very easily. Some other people were on a very high level and had a difficult time in dying.
Once I started getting mainstream people to my shows, I realized we were taking too many solos, and they were too long. I started gauging when people were going on their iPhones.
I came from a tradition where souls were a theological reality, not a faith reality. Souls were for saving, not for communing. Souls were for converting and, once they were converted, they were to be left alone. Souls were too mystical, too subjective, too ambiguous, too risky, too... well, you know - New Age-ish.
Honduras in 2009 and Paraguay in 2012 were low-hanging fruit, small countries with outsized oligarchies, where mild reformers were easily dispatched.
Those who failed to oppose me, who readily agreed with me, accepted all my views, and yielded easily to my opinions, were those who did me the most injury, and were my worst enemies, because, by surrendering to me so easily, they encouraged me to go too far... I was then too powerful for any man, except myself, to injure me.
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