A Quote by Chimamanda Ngozi Adichie
How [stories] are told, who tells them, when they’re told, how many stories are told — are really dependent on power.
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I think most people aren't really privy to how stories are developed and what stories are - make it to the front page or to the mainstream media, whether it's in print or in broadcast. And I think they'd be shocked and disappointed to see some of the bias that exists in some of the stories that don't get told - or the manner in which they are told.
William Shakespeare was the most remarkable storyteller that the world has ever known. Homer told of adventure and men at war, Sophocles and Tolstoy told of tragedies and of people in trouble. Terence and Mark Twain told cosmic stories, Dickens told melodramatic ones, Plutarch told histories and Hans Christian Andersen told fairy tales. But Shakespeare told every kind of story – comedy, tragedy, history, melodrama, adventure, love stories and fairy tales – and each of them so well that they have become immortal. In all the world of storytelling he has become the greatest name.
Each of us is comprised of stories, stories not only about ourselves but stories about ancestors we never knew and people we've never met. We have stories we love to tell and stories we have never told anyone. The extent to which others know us is determined by the stories we choose to share. We extend a deep trust to someone when we say, "I'm going to tell you something I've never told anyone." Sharing stories creates trust because through stories we come to a recognition of how much we have in common.
It's a really important thing for Aboriginal people to remember how stories are told and the power of stories, and make it an important feature in our world again.
I was told stories, we were all told stories as kids in Nigeria. We had to tell stories that would keep one another interested, and you weren't allowed to tell stories that everybody else knew. You had to dream up new ones.
You see, I was told stories, we were all told stories as kids in Nigeria. We had to tell stories that would keep one another interested, and you weren't allowed to tell stories that everybody else knew. You had to dream up new ones.
We [with Neal Dodson and Corey Moosa] wanted to draw people in with a dialogue - whether it's a creative process or a social issue or innovation of some kind; whether it was how we told the stories or what stories we told. We produced some online videos.
We live in a world where bad stories are told, stories that teach us life doesn't mean anything and that humanity has no great purpose. It's a good calling, then, to speak a better story. How brightly a better story shines. How easily the world looks to it in wonder. How grateful we are to hear these stories, and how happy it makes us to repeat them.
I see a huge, huge divide between the people who are facing the most barriers and violence and the kinds of stories being told in mainstream American politics. The issues that I think most about - how many people's lives are being affected by prisons and policing, how many people's lives are being affected by immigration enforcement and deportation - those stories aren't being touched, let alone told, in mainstream politics.
Maybe I'm not the right person to do it... but I've learned that I have some power to help stories be told the way they naturally need to be told.
We are told not to privilege one story above another. All the stories must be told. Well, maybe that's true, maybe all stories are worth hearing, but not all stories are worth telling.
I have told many, yet when I go down that last trail, I know there will be a thousand stories hammering at my skull, demanding to be told.
I guess the more women are present and out there in life, the more their stories will be told. I don't know. Their stories have always been told on Lifetime.
There are so many stories from the Midwest that should be told. L.A. tells one story, and it's often about itself.
You want to put out good vibes for the viewers, even if so many stories that have to be told and that need to be told have a lot of darkness in them, because the world has a lot of darkness in it.
The argument for '12 Years a Slave' was that - yes, it's a beautiful film. Beautifully shot, beautifully acted. It's a real story, and these stories should be told. The problem is, if they're the only stories being told, then it makes Americans of African descent - it puts them into that victim category. And that was my problem with the movie.
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