A Quote by Chimamanda Ngozi Adichie
They themselves mocked Africa, trading stories of absurdity, of stupidity, and they felt safe to mock, because it was a mockery born of longing, and of the heartbroken desire to see a place made whole again.
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Longing is the fullest sense of desire; it's the most deeply felt kind of desire. I think the most interesting artwork comes out of some sense of longing. It could be called dissatisfaction; it could be called distance. There are many kinds of wanting to get closer to something else, whether that is an idea, a body, a place. Longing is also one of the conditions people approach reading, visual art, or music with - it's to satisfy that sense of longing. It's part of my job, on some level, to grapple with that notion.
Mockery is an important social tool for squelching stupidity. I’ve never seen anyone change his mind because of the power of a superior argument or the acquisition of new facts. But I’ve seen plenty of people change behavior to avoid being mocked.
Its important to know stories. I felt the earth shift to make a place for you when you were born, and I came to tell you stories while you are young. And like me, you were born with a word on your tongue.
I never had that desire to start or join a rock band. Nor did I ever have a desire to see my idols in concert. I would have loved to see The Cure. I didn't understand the whole concept of: you love music, you buy the album, and then you go see them in concert. It felt like something that was so untouchable that I didn't even attempt to try and bring it to any place other than my headphones.
Do you think that the people of South Africa, or anywhere on the continent of Africa, or India, or Pakistan are longing to be kicked around all over again?
The sweetest thing in all my life has been the longing — to reach the Mountain, to find the place where all the beauty came from — my country, the place where I ought to have been born. Do you think it all meant nothing, all the longing? The longing for home? For indeed it now feels not like going, but like going back.
I don't mock things, which makes me more vulnerable to mockery myself. If you're cynical, you're protected from mockery. But I have to be nice. I don't think I have irony. A sense of humour, yes, but not irony.
I'm sober now, but I was partying a lot. Part of it was because gay bars felt like safe spaces... a place where you feel safe and comfortable in your own skin.
Africa is not just about where you are born. For me, Africa is the whole continent; from south to north, to east to west.
Africa is never the same to anyone who leaves it and returns again. It is not a land of change, but it is a land of moods and its moods are numberless. It is not fickle, but because it has mothered not only men, but races, and cradles not only cities, but civilizations - and seen them die, and seen new ones born again - Africa can be dispassionate, indifferent, warm, or cynical, replete with the weariness of too much wisdom.
I will say this: One thing I did see in my reporting again and again is that the Obamas themselves are much more involved in handling stories than is usually known.
Isn't it the sweetest mockery to mock our enemies?
Every child deserves to see themselves in stories they can enjoy, but it isn't the place of white people to decide how and why those stories are created and marketed.
I am not African because I was born in Africa but because Africa was born in me.
Glen Hirshberg's stories are haunting, absolutely, but not only because of the content -- the stories themselves haunt, they stick around, they linger, inhabiting a little corner of the reader's brain and resurfacing to evoke mystery or sadness or longing. It's a pleasure to dive into Hirshberg's storytelling skills in American Morons.
I, made in England, felt excluded, miffed, resistant to the idea of even visiting India, a position of increasing absurdity as, one by one, backpacking friends returned from the place with the standard anecdotal combo of nirvanic epiphany and toilet horror.
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