A Quote by Chimamanda Ngozi Adichie

I think my first general rule is that most of my experiences are not that interesting. It's usually other people's experiences. It's not that entirely conscious. Somebody tells me a story or, you know, repeats an anecdote that somebody else told them and I just feel like I have to write it down so I don't forget - that means for me, something made it fiction-worthy. Interesting things never happen to me, so maybe two or three times when they do, I have to use them, so I write them down.
I won't forget those kind of things, but I just want to write them down and look at them. It's almost like when things like music come out and you're listening to a song and you have experiences with art or phenomena that supersede your simple relationship with them as just a piece of art. They're more than that. That's just what those quote are for me. They're big, they're important.
It's interesting when you write something for somebody else, and then you're like, 'Oh man, I just laid my whole trip on them, and they don't even know!'
I cannot tell you how many times guides have said to me, "Please tell them to stop praying to me. I can't make things happen. I can't protect them from going through challenging experiences. These are experiences their soul has chosen to go through. I'm here to keep them on their path, but I don't want them to give me all this attention or power or focus." Realistically, the guides I work with are really encouraging people to find their inner voice.
Words are such powerful things. We can rip somebody apart with them, we can write words down that can forever hurt another person. We can use them to tell stories and lies. We can misquote them and change what other people said to make ourselves look good.
I write down three things in the morning that I want to accomplish, but I write it down as if I have already accomplished it. So you write it down three times. And then in the daytime, like near the afternoon, you write it down six times. Then at night, you write it down nine times.
I get to tell the most interesting stories I know how to tell with the most interesting sentences I know how to compose - and people who aren't related to me read them. To be paid to write things that matter to me is extraordinary.
Writing has never been an intentional endeavor to me. I know a lot of people have experiences and then sit down and try to sort them out through song, but whenever I sit down to write, it comes out hackneyed or overly saccharine.
Faces are the most interesting things we see; other people fascinate me, and the most interesting aspect of other people - the point where we go inside them - is the face. It tells all.
I take my inspiration for the song writing from little experiences, not even if I've experienced them myself but say if something has made me sad, I will use that emotion. I just use everyday life and write about it.
You write down a paragraph or two describing several different subjects creating a kind of story ingredients-list, I suppose, and then cut the sentences into four or five-word sections; mix em up and reconnect them. You can get some pretty interesting idea combinations like this. You can use them as is or, if you have a craven need to not lose control, bounce off these ideas and write whole new sections.
It's just that I don't want to be somebody's crush. If somebody likes me, I want them to like the real me, not what they think I am. And I don't want them to carry it around inside. I want them to show me, so I can feel it too.
I can remember the time I would get my scripts and spent the entire weekend breaking them down and playing with them, and putting a lot of work into them, trying to bring the character to life, and to make interesting choices. It was one of the things to me that told me that I needed to change things up a little bit, because to me, I felt the passion was lacking from some of my performances.
That the things that have impacted me most are not news articles written by older people that I would have no relation to; the things that impact me most are things written by people closer to my age. And I wanted to write things in a way where somebody my age could read it and feel like they are holding somebody's hand and be with somebody.
I don't write fiction but I do write narrative; I write memoirs that I treat like stories, so whenever I'm using somebody I actually know as a model, I am submitting them to the agenda of a storyteller, and I feel free to do what I want.
I'll write this all down for you," I said. "I'll put it in a story." I don't know if that's what he wanted to ask me, but it's something everybody wants--for someone to see the hurt done to them and set it down like it matters.
There's lots of bands where somebody will write lyrics and somebody else will sing them. It works for a lot of people, but that feels weird to me. I don't mean this in a bad way at all but it just feels fake.. I guess in my heart of hearts, whether the person has a good voice or not I want [the songs] to come from them. I don't know why.
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