A Quote by Chimamanda Ngozi Adichie

Americans think African writers will write about the exotic, about wildlife, poverty, maybe AIDS. They come to Africa and African books with certain expectations. — © Chimamanda Ngozi Adichie
Americans think African writers will write about the exotic, about wildlife, poverty, maybe AIDS. They come to Africa and African books with certain expectations.
My solutions are to include Africa in the global economy, and not African charity, AIDS research, but African infrastructure development. And I think that Africa can import and needs everything the whole world can manufacture. And they have got enough money to pay for it. It's just that the money is in the ground.
What we are trying to do now, this new generation of African writers, is to write about what it is to be a human being living in a particular African country. These are stories that resonate with anyone, anywhere.
I started as an engineer. I migrated to philosophy and international politics. And I did my studies about African - Africa democracy and democratization in Africa, taking Kenya as a model. And then, while I was doing so in 1996 in South Africa, Al Jazeera was established. So they requested me to be an analyst on African affairs.
When African-Americans come to France, the French show them more consideration than they would show an African or a Black Caribbean. When African-Americans come to France, the French people are like, 'Oh, wow. Oh my God.' But if it's an African, they're like, 'Whatever.' It's all because of the past, because of our history.
Like anyone else in television, I like to explore my life experience. And I don't think African-American artists see doing shows or art about African-Americans as something 'less than.' I think maybe the industry sometimes does. We don't get as much attention, we don't get critical acclaim and so on.
I spent my youth and my most formative years in Africa. I left Africa when I was about 20, 21, and when Mo says a great African, I was really moulded by my African experience, although I had the good fortune that by the time I was 24 I had studied and worked on three continents - Africa, the US, and Europe.
I can do an hour-long speech about Democrats taking African Americans for granted, and I'd have a line behind me of very prominent African-Americans who would say, 'Amen.'
It saddens me that African Americans - when they express their pain, when they protest about police violence, when they question inequality, when they raise issues of bondage and discrimination - African Americans are seen as not patriotic.
When I was a kid, I'd go to the African-American section in the bookstore, and I'd try and find African-American people I hadn't read before. So in that sense the category was useful to me. But it's not useful to me as I write. I don't sit down to write an African-American zombie story or an African-American story about elevators. I'm writing a story about elevators which happens to talk about race in different ways. Or I'm writing a zombie novel which doesn't have that much to do with being black in America. That novel is really about survival.
The media in America is not covering American AIDS very much. They're covering African AIDS as if somehow miraculously it's all stopped here. Well, it hasn't, and the one thing they're not saying about Africa is that all those people are going to die; there's no way these people can be saved - none.
You know, we're missing so much as African-Americans and we should be concerned about what's going on in Africa.
Let's face it - think of Africa, and the first images that come to mind are of war, poverty, famine and flies. How many of us really know anything at all about the truly great ancient African civilizations, which in their day, were just as splendid and glorious as any on the face of the earth?
I read mostly Irish, African, Japanese, South American, and African writers. You can count on Scandinavian literature for a certain kind of darkness, a modern mythic style.
I can't deny that it will be a historic event for an African-American to become president. And should that happen, all Americans should be proud - not just African-Americans, but all Americans - that we have reached this point in our national history where such a thing could happen. It will also not only electrify our country, I think it'll electrify the world.
We are different from many African countries. We represent Africa as the gateway and will do everything to make African and Israeli relations mushroom.
Once there are more African Americans and Asian Americans behind the scenes as producers, writers, and directors, I think more inclusive casting will happen.
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