A Quote by Chimamanda Ngozi Adichie
Each of my novels has come from a different place, and the processes are not always entirely conscious. I have lived off and on in America for a number of years and so have accumulated observations, found things interesting, been moved to tell stories about them.
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The reason it hurts so much to separate is because our souls are connected. Maybe they always have been and will be. Maybe we've lived a thousand lives before this one and in each of them we've found each other. And maybe each time, we've been forced apart for the same reasons. That means that this goodbye is both a goodbye for the past ten thousand years and a prelude to what will come.
I love telling stories. I think of myself as a storyteller, and I don't feel bound by being just a singer or an actress. First, I'm a storyteller, and history is stories - the most compelling stories. There is a lot you can find out about yourself through knowing about history. I have always been attracted to things that are old. I have just always found such things interesting and compelling.
Our lives are stories, and the stories we have to give to each other are the most important. No one has a story too small and all are of equal stature. We each tell them in different ways, through different mediums—and if we care about each other, we'll take the time to listen.
When I was leaving Yemen to come to America, things were tough. My dad had just been laid off, and it was a challenge. When I lived in Yemen, I thought America was a perfect place. Everything was bigger and better. I dreamed big. The American dream, you know? You have to work hard for your dream to come true.
My number one goal has always been to try to tell interesting, cohesive, long-term stories.
I knew I couldn't live in America, and I wasn't ready to move to Europe, so I moved to an island off the coast of America - New York City... It was tolerant. It was a place that tolerated differences and could incorporate them and embrace them, which was what America was supposed to be about and wasn't.
I’ve come in and out of America for… well, I’ve lived here for 15 years. And I’ve played here for nearly 30 years. On and off. But I’ve always played to my fan base. And I can come and do two or three nights in New York or two or three nights in L.A., and all that. But when I go away, nobody knows I’ve been gone. You know, I don’t get reviewed or anything like that. So that’s why I’ve come back and done a longer time in a smaller place, in New York. It’s always the people who live here that get a chance to know me.
If I had not been successful as a director, then I'm sure I would still be telling stories. I would have continued on 16mm or found a different medium through which to tell them. Maybe they would have been less glamorous than films, but I would continue to tell stories.
Moralizing and morals are two entirely different things and are always found in entirely different people
I've always been fascinated by numbers. Before I was seventeen years old, I had lived in twenty-one different houses. In my mind, each of those houses had a number.
You want to go to a place where you work every day, where you get to tell stories that look and feel like the audience in America that are watching. You're really limited, if you walk into a room and you can just tell stories about that. So, we've been really blessed.
As I experience life, my music is gonna evolve. At the same time, I still do tell the stories from my world because there are unlimited stories and unlimited people from that place. I'll always represent them. As my life begins to change and I do different things, I still want to be able to tap in and relate to them.
Brad Wright, who created Grant MacLaren, had me in mind. We'd actually worked together 20 years ago. He wrote an episode of The Outer Limits that I was in in '96 or '95? So we'd been aware of each other for years. I'd lived in Vancouver off and on, where he's based. And it just came to me, and I'm always looking for something different. Perception was a different show than Will & Grace.
One of the things I have noticed about my novels is that they all concern people who can't quite bring themselves to tell the truth about their own lives... I've come to realise that this interest in damaged, untellable stories comes from my parents.
One of the people I've always wanted to emulate in pursuing that dream was Meryl Streep, in terms of the different types of roles she's been able to play and the number of different stories she's been able to tell.
I feel a responsibility, as I get older, to be responsible to what I've experienced, to what I've lived and been in a position to witness. I realize now that as a consequence of having lived the life I have, quite apart from the one, as I understand it, lived by most American writers, maybe I now know some things and have some stories to tell that others don't know about or wouldn't be able to tell. Maybe there's an intrinsic value in that lived experience and knowledge, though of course what you do with it is everything.
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