A Quote by China Anne McClain
One of my dad's friends from the music industry came over to our house one time and heard me sing, and he said, 'She should audition for this role I have!' So I did! It was a movie called 'The Gospel,' which I did when I was five. That was when I was like, 'I want to do this acting thing!'
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There was one female role, which was Emily. When I did the audition, I flubbed up. It was my first audition back from Christmas break, and I flubbed up and was devastated. In the audition room, they were like, "Oh, you did great!," but you never really know. So, I left the audition in tears.
I was working at a restaurant in L.A. when a producer came in. He said I should audition for this movie Cellular. I did, and I got the part. It actually makes me sick to tell that story because its obnoxious.
The world is wrong. You can't put the past behind you. It's buried in you; it's turned your flesh into its own cupboard. Not everything remembered is useful but it all comes from the world to be stored in you. Who did what to whom on which day? Who said that? She said what? What did he just do? Did she really say that? He said what? What did she do? Did I hear what I think I heard? Did that just come out of my mouth, his mouth, your mouth? Do you remember when you sighed?
She felt, as she felt so often with Murphy, spattered with words that went dead as soon as they sounded; each word obliterated, before it had time to make sense, by the word that came next; so that in the end she did not know what had been said. It was like difficult music heard for the first time.
[Short Talk on Sylvia Plath] Did you see her mother on television? She said plain, burned things. She said I thought it an excellent poem but it hurt me. She did not say jungle fear. She did not say jungle hatred wild jungle weeping chop it back chop it. She said self-government she said end of the road. She did not say humming in the middle of the air what you came for chop.
Here's the thing that I think really pushed me, was my versatility. Because when I came in to the movie business, all the stunt men were specialists. If you did horse work, that's all you did. If you did cars and motorcycles, you did that. But when I came in, I taught myself how to do everything.
A famous actor told me once - I don't want to name names, I hate that sort of thing - but I was at his house and he said, 'Are you on Twitter?' I said, 'Yes, I am.' And he said, 'There'll be one day when you'll have, like, five friends. And in the same day it'll go to five thousand.'
My dad did show me interesting movies at a young age. I remember he showed me 'A Clockwork Orange,' and my mom said, 'I never want to see this movie in my house again.'
She thinks she knows everything that goes on inside me, and she doesn’t know a thing. What did she want from me – to tell the truth all the time? To run around saying it did matter to me that I live in a world where you can grow old and be alone and have to get down on your hands and knees and beg for friends? A place where people just sort of forget about you because you get a little old and your mind’s a bit senile or silly? Did she think that didn’t bother me underneath?
My sister pursued acting, and one day, I was like, 'Hey, I want to do acting, too' - this was just in commercials - and then one day, I got an audition for my first movie, 'Smurfs 2,' and I did it.
The thing with acting is I'm at the liberty of someone who wants to book me. With music, I can do it all the time. With acting, I could, too, if I wanted to write a script and do that whole thing, but music is a constant thing. Acting, I have to audition.
The last time I heard real screaming in the theatre was when I went to see a movie I did years ago, called 'Wait Until Dark.' Now, my mother was the least emotional person on the planet, but when I got killed in the movie, she stood up and screamed, 'That's my son!' At Radio City Music Hall in New York!
All my musical influences came from my mom, who did everything to music. She played it 24 hours a day, seven days a week in our house. So that's where my love for music came from.
I had called her up a couple of weeks before then, because I had heard this vicious rumour that she did not like the movie. It was very upsetting for me. I am very sensitive to that, because I am portraying her life and did not want her to be unhappy.
My big break was really Liz Meriwether saw me in a movie called 'Paper Heart' and really liked it, and then saw me in a movie called 'Ceremony' because she knew Max Winkler and said, 'I want you to be in 'No Strings Attached,' but you gotta audition for it.' From that it was easier for her to get me in 'New Girl.'
My big break was really Liz Meriwether saw me in a movie called 'Paper Heart' and really liked it, and then saw me in a movie called 'Ceremony' because she knew Max Winkler and said, 'I want you to be in 'No Strings Attached,' but you gotta audition for it.' From that it was easier for her to get me in 'New Girl.
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