A Quote by China Mieville
A sense of wrongness, of fraught unease, as if long nails scraped the surface of the moon, raising the hackles of the soul.
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There was just one moon. That familiar, yellow, solitary moon. The same moon that silently floated over fields of pampas grass, the moon that rose--a gleaming, round saucer--over the calm surface of lakes, that tranquilly beamed down on the rooftops of fast-asleep houses. The same moon that brought the high tide to shore, that softly shone on the fur of animals and enveloped and protected travelers at night. The moon that, as a crescent, shaved slivers from the soul--or, as a new moon, silently bathed the earth in its own loneliness. THAT moon.
I'm inhabiting a life I'm not supposed to be in... and at certain times in my life, I have felt a wrongness. And not a moral wrongness but a sense that this isn't what I was born to be doing.
All the Chinese have to do is fly around the Moon and back, and they'll appear to have won the return to the Moon with humans. They could put one person on the surface of the Moon for one day and he'd be a national hero.
It hadn't really percolated through my brain that I was going to see real, live TV from the surface of the Moon, and boy, oh, boy, had that Saturn V launch been exciting! And then, there it was - late at night, sitting up, watching, and there was Neil Armstrong actually standing on the surface of the Moon.
My nails are a disaster. If I play guitar when my nails are long, I just tear them off.
I have these long nails, but I literally do nothing to them! The thought of filing my nails drives me insane.
When I finally had the chance to make my childhood dream a reality - as a co-founder and chairman of Moon Express - my goal was to broaden participation in lunar exploration, and connect the common person to its results. We plan to send robotic rovers - not humans - to the Moon to search for precious metals and rare minerals on the Moon's surface.
Like for 'Black Nails,' I just had black nails - and I never have black nails. It was my first and last time getting black nails. And that's so not normal for me. So when you're recording, you're up at the mic and you gotta name the file, so I just look down and I'm like, 'Black Nails!' That's literally what it was.
I remember the first day I was looking at my hands and I thought about my nails. People wouldn't really be paying attention to that, but a Civil War doctor - What would they be doing with their nails? Would they cut them really low? And Dr. Burns said, "No, they would let them grow out so they can scoop stuff out. They would use their nails." So for a while I let my nails grow. They were too long. I kept stabbing myself by accident, so I cut them down, but I was trying to be faithful to the details.
We know what the surface of the moon is better than we know what the surface of the sea floor is.
Cap-and-trade is a dangerous policy fraught with the potential for significant corruption, and it would hurt my constituents and our economy by raising energy costs.
According to one critic, my works looked like scraped billboards. I went to look at the billboards and decided that more billboards should be scraped.
I couldn't understand a sense of unease that multiplied until I could hear my heart beating.
I personally feel that parachute files give a more realistic impression of an insect to the fish that views the fly, since the hackles are in the same position as the insect's legs, and when tied with brightly colored hackles, these flies are easier to see on the float. A final advantage is that in rough water, a parachute-hackled dry fly will float longer and better than a conventional one
What stays with me most is a general sense of loss, unease, and longing for the past that cannot be relieved.
People who are wrong during particularly important moments inevitably spend the rest of their lives trying to explain how their wrongness was paradoxically correct, or-at the very least-why their wrongness "felt right at the time," which is very, very different from being authentically correct.
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