A Quote by Chinmayi

The next time you watch a villain or an actor whom you know to be a non-native speaker of the language, watch the lip-sync. You'll know the amount of work that dubbing artistes have been putting in to elevate the performance of the actors.
To be honest, until I started dubbing, I didn't realize the amount of work of a dubbing artiste puts in. Especially the artistes that dub for villains. They really stretch their vocal cords to a different dimension.
I'm quite fluent in Telugu now, but there's a difference between talking and dubbing. While dubbing, the diction must be in sync with the emotion in the scene and would impact my performance.
To me, when - just like when you watch a movie or you watch a TV show, to me, you know, Nicole Kidman or Leonardo DiCaprio, you know that they are actors, but also, great actors find that extension of themselves. So, when I walk through that curtain, I find the extension of myself of being the Ravishing Russian in there.
No matter what you're doing, whether it's a makeup tutorial or an interview or a lip sync, performance is the essence of drag. It is gender performance. Being able to produce a performance is what a superstar has to do.
I watch a lot of television and I watch a lot of film and I hate when you watch the action sequences - and I always tell when they use a stunt man - and then they put the actor in and you can tell these actors haven't done anything.
I've always thought of acting as a tool to change society. I watch a lot of actors and I see panic in their eyes because they don't know why they act and I know why I act. Whether I'm a good or a bad actor, I know why I do it.
I have three kids. Now they're all grown up, but when they were little, every time I would start a new project, they would say, 'So dad, are you making a movie we can watch or one we cannot watch?' That's the kind of stuff they would ask. People around me - family and friends - usually know when to watch and when not to watch.
It's a wonderful thing working with young actors. I know a lot of people don't like working with children. I actually adore it, because you watch their imagination open up and you watch them start to learn this job that I've been doing for so long. They come with such a lack of cynicism.
I'll watch something like 'Paranormal Activity,' 'The Shining,' or 'Rosemary's Baby,' and I love them, but then I watch 'The People Under the Stairs' or 'Candyman,' and they freak me out. It's weird because I don't where the line is. I don't know what that means. I don't know what I should watch and what I shouldn't.
In general, I try to avoid anything that I'm in. I've been that way for awhile. I don't know why. You have to watch, professionally, the things that you're required to watch, but it's not something that I would sit down and watch, again and again.
I cannot watch my performance as an audience because whenever I watch anything that I am a part of, I watch critically.
If they watch me play, people will say I'm not into it or whatever. That's okay. I kind of like it. People don't know how much work I'm putting into it. They don't need to know.
I do have a very chill - I can watch all my movies. A lot of people don't like to watch their work. I watch everything. All the time.
I've always thought if you watch the performance and you don't know about the person, then you only see the performance.
I'm the kind of guy who, I need a watch that tells me what day it is. I need to know it's Friday on my watch. I need to look at it and go, 'Friday today.' Tomorrow I will not know it's Saturday until I look at my watch. My watchband broke, I was crippled. I have no concept of time, I have no concept of dates.
However well you know the French language you've learnt it the wrong way, not as a native speaker would. That's my problem as well.
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