A Quote by Chinua Achebe

Do not be in a hurry to rush into the pleasures of the world like the young antelope who danced herself lame when the main dance was yet to come. — © Chinua Achebe
Do not be in a hurry to rush into the pleasures of the world like the young antelope who danced herself lame when the main dance was yet to come.
Women, as well as men, in all ages and in all places, have danced on the earth, danced the life dance, danced joy, danced grief, danced despair, and danced hope. Literally and metaphorically, by their very lives.
She danced the dance of flames and fire, and the dance of swords and spears; she danced the dance of stars and the dance of space, and then she danced the dance of flowers in the wind.
Making these photographs has often seemed to me like a kind of dance. Often I have danced badly and the world has fallen apart at my feet. But sometimes the dance has gone well and my subject and I have moved together as if with shared purpose.
Just be patient. Let the game come to you. Don't rush. Be quick, but don't hurry.
I danced modern dance my whole life, and it makes me feel young again.
When I was young, my mom realized I could dance and hold a beat, and I really danced just for fun. It was good exercise.
Many Christians take their time and have leisure enough in their social life (no hurry here). They are leisurely, too, in their professionally activities, at table and recreation (no hurry here either). But isn't it strange how those same Christians find themselves in such a rush and want to hurry the priest, in their anxiety to shorten the time devoted to the most holy sacrifice of the altar?
Personally, I wish D. would come after me, I need a good dance partner. My Daimons have lame legs. (Acheron)
Ice dance was a part of my life from a young age. My older brother ice danced and like many younger brothers, I wanted to follow in my older brother's footsteps.
California is a tragic country — like Palestine, like every Promised Land. Its short history is a fever-chart of migrations — the land rush, the gold rush, the oil rush, the movie rush, the Okie fruit-picking rush, the wartime rush to the aircraft factories — followed, in each instance, by counter-migrations of the disappointed and unsuccessful, moving sorrowfully homeward.
I have a strong dance background. I danced from age five until 18, and that helps a lot. Doing a fight routine is like doing a dance routine.
And then he danced,-all foreigners excel the serious Angels in the eloquence of pantomime;-he danced, I say, right well, with emphasis, and a'so with good sense-a thing in footing indispensable: he danced without theatrical pretence, not like a ballet-master in the van of his drill'd nymphs, but like a gentleman.
As a film director and as film actors, you get used to a certain rhythm that's slow. But with TV, it's hurry, hurry, hurry, hurry, hurry. It's a different pace.
Everyone tries to get you to dance at clubs. They come up to you and say "You gotta dance! you gotta dance!" And then I dance, and they're like, "Not like that!"
I've danced my whole life. Martial arts is just fun for me, it's all choreographed a bit like dance. I have done Muay Thai and Wushu, which is cool because it's very fluid dance. I also do Tricking. It's kind of like Taekwondo with the big kicks and flips and showier aspects of martial arts.
I met my first dance partner when I was about 17 or 18 and we were married by the time we were 18 or 19, I don't remember the exact date, and everything was dance, dance, dance. Then there came just a short space of time where I was wondering whether I was missing out on anything. Back then when you danced, everybody married their dance partner.
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