A Quote by Chinua Achebe

Africa is to Europe as the picture is to Dorian Gray-a carrier onto whom the master unloads his physical & moral deformities — © Chinua Achebe
Africa is to Europe as the picture is to Dorian Gray-a carrier onto whom the master unloads his physical & moral deformities
One day I'll do a Dorian Gray, and there will be a picture in the attic. I'll look like Helen Daniels from 'Neighbours' after her stroke.
Yes, there is a terrible moral in 'Dorian Gray' - a moral which the prurient will not be able to find in it, but it will be revealed to all whose minds are healthy. Is this an artistic error? I fear it is. It is the only error in the book.
Gollum is my picture of Dorian Gray. He will be with me for the rest of life, and I will grow to look more like him as I get older.
The 1890s was perhaps the most Gothic decade ever: 'Dracula,' 'The Picture of Dorian Gray' and 'The Time Machine,' not to mention 'Heart of Darkness' and 'The Interpretation of Dreams,' were all written between 1890 and 1899.
How sad it is!" murmured Dorian Gray with his eyes still fixed upon his own portrait. "How sad it is! I shall grow old, and horrible, and dreadful. But this picture will remain always young. It will never be older than this particular day of June… . If it were only the other way! If it were I who was to be always young, and the picture that was to grow old! For that—for that—I would give everything! Yes, there is nothing in the whole world I would not give! I would give my soul for that!
Europe is not one of the major powers. And Africa even less so of course. But Africa has what Europe lacks: space, human resources, and natural resources while Europe has the technological innovation that Africa lacks. Together we can become a power which can count in the future.
Quit calling me Grey. It makes me sound like I’m a boy. Like Dorian Gray.” “Dorian who?” I sighed. “Just think up something else. Plain old Nora works too, you know.” “Sure thing, Gumdrop.” I grimaced. “I take that back. Let’s stick with Grey.
I rot on the wall, my own Dorian Gray.
So, in "Melting Pot" the children (about a third of whom were kids of color) sang the line, "America was the new world and Europe was the old," in one stroke eradicating the narratives of indigenous persons for whom America was hardly new, and any nonwhite kids whose old worlds had been in Africa or Asia, not Europe.
In Africa, you only have an independent media in only eight African countries, so there is very little transparency. The best gift that rich countries can give Africa is Radio Free Africa and Radio Free Africa will do for Africa what Radio Free Europe did for Europe.
What the worm was to the corpse, his sins would be to the painted image on the canvas. They would mar its beauty, and eat away its grace. they would defile it, and make it shameful. And yet the thing would still live on. It would be always alive. (Dorian Gray regarding his portrait)
The United States has some people in Europe with whom we disagree on this matter and a large number of people in Europe, including governments in Europe, with whom we agree.
Africa is going through its own historical process of state formation just as Europe and America did. It is just happening much later than other continents because of the interruption of Africa's own historical development by the colonization of Africa by Europe.
Surely a good therapist should produce a Dorian Gray-style portrait from under the couch so the patient can see the person they really are.
There were times when it appeared to Dorian Gray that the whole of history was merely the record of his own life, not as he had lived it in act and circumstand, but as his imagination had created it for him, as it had been in his brain and in his passions. He felt that he had known them all, those strange terrible figures that had passed across the stage of the world and made sin so marvellous, and evil so full of subtlety. It seemed to him that in some mysterious way their lives had been his own.
The real master is only a presence. He has no intentions of being a master. His presence is his teaching. His love is his message. Every gesture of his hand is pointing to the moon. And this whole thing is not being done, it is a happening. The master is not a doer. He has learned the greatest secret of life: let-go. The master has drowned his ego and the idea of separation from existence itself.
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