A Quote by Chinua Achebe

I think once you have done all you can to a manuscript, let it find its way in the world. — © Chinua Achebe
I think once you have done all you can to a manuscript, let it find its way in the world.
I have a manuscript that I'm almost done with, but I've been saying that forever. I'm on what I think will be the second-to-last chapter. It's a story about chance and coincidence.
Each book I've done somehow finds its own unique form, a specific way it has to be written, and once I find it, I stick with it.
The fundamental challenge of achieving anything you wish is first to convince yourself to do it. Once you are totally convinced of its value, you'll find a way to get it done.
I have no pride about anything I have done. It's just not the way I think about things. I do the work, always, as hard as I can, to the point of pain, injury, exhaustion, if that is what it takes. Once I am done, I move on.
One of my teachers once said that the way you know you're on the right path is that it works. Now, that doesn't mean you don't run into blocks and brick walls, but it does mean that you can find a way around them or find a way to change yourself or your project in order to find the flow again and have it work.
I have a color-coded computer spreadsheet that divides things down to chapter fragments. Each character's point-of-view is a different color. The text of the manuscript is color-coded the same way. The last thing I do before submitting the manuscript is turn all those colors back to black.
He dared to do what men and women don't even dare to think. And look what he's done already: he's torn open the sky, he's opened the way to another world. Who else has ever done that? Who else could think of it?
The world may think it idiotic, Nor care at all we're symbiotic, But I will say at once and twice: I find it nice. I find it nice.
In the night ride across the Wular lake a small storm made me worry for the safety of my manuscript (Rajatarangini). It seemed as if the goddess of wisdom - Sharada, represented by waters of Kashmir, was unwilling to let me abduct the manuscript. This is what happened 1200 years ago to the Chinese pilgrim Hiuen-Tsang, who had to leave his Sanskrit manuscript in the angry Indus River.
Wes Anderson is a perfectionist, so you have to just be ready to try it this way, try it this way, try it that way, and then try it this way. And then, once you think you've got it all and it's done, then you're going to be called back in two or three months so you can try it that way and try it this way. You've got to give him all of it.
Doing real world projects is, I think, the best way to learn and also to engage the world and find out what the world is all about.
I condition myself to believe that once the scene is done, once the movie is done, my job is done, and whatever happens after that is none of my business.
I think it's what we've always tried to do, is just find a unique way in, and find a unique way to be true to what the character is from the comics and what fans are aware of and expecting. And at the same time do it in a way that mainstream audiences and as wide an audience as possible can find their own way into it.
I like when the manuscript keeps its authentic style and form, so even if I have accepted some advice from editors, I don't really want to adapt the manuscript to the needs and expectations of the readers.
I did The Seagull, the Chekhov play, on Broadway, a couple of years ago, and I had done it in London, and I became completely obsessed with the character, Nina, that I played in that. She's an actress. I couldn't find a play after that, that I wanted to do, because I couldn't think of doing anything else. Every part is a disappointment, once you've done that part.
Compromise is said to be the way of the world and yet I find myself feeling sick trying to accept what it has done to me.
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