A Quote by Chinua Achebe

I think writers are not only writers, they are also citizens. — © Chinua Achebe
I think writers are not only writers, they are also citizens.
I certainly think its very important that writers as citizens - not necessarily as writers, but just as ordinary citizens - should talk about things that matter to them.
I certainly think it's very important that writers as citizens - not necessarily as writers, but just as ordinary citizens - should talk about things that matter to them.
That 'writers write' is meant to be self-evident. People like to say it. I find it is hardly ever true. Writers drink. Writers rant. Writers phone. Writers sleep. I have met very few writers who write at all.
Let's stop reflexively comparing Chinese writers to Chinese writers, Indian writers to Indian writers, black writers to black writers. Let's focus on the writing itself: the characters, the language, the narrative style.
Lawyers, doctors, plumbers, they all made the money. Writers? Writers starved. Writers suicided. Writers went mad.
I think the special thing about Python is that it's a writers' commune. The writers are in charge. The writers decide what the material is.
..few writers like other writers' works. The only time they like them is when they are dead or if they have been for a long time. Writers only like to sniff their own turds. I am one of those. I don't even like to talk to writers, look at them or worse, listen to them. And the worst is to drink with them, they slobber all over themselves, really look piteous, look like they are searching for the wing of the mother. I'd rather think about death than about other writers. Far more pleasant.
All of us, writers and non-writers alike, have incredible well-springs of personal experience and history. And we also have imagination - which I think is a kind of human miracle.
I've met writers who wanted to be writers from the age of six, but I certainly had no feelings like that. It was only in the Philippines when I was about 15 that I started reading books by very contemporary writers of the Beatnik generation.
I rarely talk about work with writers, and I love getting together with writers. I think writers are great to get together with, because we can talk about everything. I think that's why I enjoy it. Writers tend to be pretty open-minded, and pretty profane and loose. They have fun minds.
I see so many talented writers of color struggling to get their work out to an audience. I know that's the case for all writers - everyone's struggling for attention - but I do think that for writers of color it's harder, and for women it's harder, and for regional writers it's harder, too.
I do have the feeling that other writers can't help you with writing. I've gone to writers' conferences and writers' sessions and writers' clinics, and the more I see of them, the more I'm sure it's the wrong direction. It isn't the place where you learn to write.
I think even great writers only write two books that you might like. When I think of my touchstone writers like Saul Bellow, I think of 'Henderson the Rain King.' With Don DeLillo, I think of 'Libra.'
I think its important to remember where I began. I know that when I talk to other writers, say, writers from the South or writers from abroad, its where they begin as children that is important to them.
I think it's important to remember where I began. I know that when I talk to other writers, say, writers from the South or writers from abroad, it's where they begin as children that is important to them.
Writers - all writers, even screenwriters - like to make their mark. I don't think many screenwriters can write. They pass as writers.
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