A Quote by Chip Espinoza

We have to be emotionally intelligent. It also means that what works one day may not work the next or what works for one group of people many not work for another. I love managerial leadership because it is dynamic. The implication is that we have to stay curious about what compels, what motivates, what inspires, what relates, and what energizes.
Marches work, rallies work, civil disobedience works, direct action works, voting works, writing letters works, speaking to churches and schools works, rioting works.
I produce so little that the works have to be editioned. Otherwise, I don't survive. Also, editioning is relevant for communication. If you make three new works, it means that nine objects are available. Three people talking about your work is fine, but nine makes a difference.
Government doesn't work. You work, I work, Federal Express works, Microsoft works, the Salvation Army works, Alcoholics Anonymous works, but government doesn't.
A dynamic person is one who really makes a difference in the world; who does something that changes things or other people. The magnitude of the work done may not be great, but the world is different because that person has lived and worked. The real secret of a dynamic personality is to believe that God works through you, whatever you may be doing; to put his service first, and to be as sincere, practical, and efficient as you know how.
God implants Spirit and zeal into our hearts in order to accomplish a work. When the work is done, a quiet rest remains. We do not have to push one another aside because God has prepared our works so that each one can keep out of one another's way. We only have to take heed that we do His works.
Despite the belief of many career bureaucrats that elected political leadership works for them, our system is built on the idea that the permanent bureaucracy, such as it exists, works for the elected leadership, which in turn works for and represents the American public.
At least 90 percent of my work is in situ. For me, it's not only to work with the architecture and space, it's also to work with the time, to work with the people who are involved with the place. It's also dealing with history. It takes all this into account. Other works can be placed in different environments, but they always follow a rule. This is usually not the case for work in situ, because even if they are transported, they remain there forever or they are destroyed.
For notwithstanding this rest and cessation from labor which is required on the Lord's day, yet three sorts of works may and ought to be performed. . . . these are works of piety, works of necessity, and works of charity.
It's very easy to say, 'Well, hey, you should wake up at 4:30 in the morning and do what ABCD people do.' Just because it works for one person, just because it works for even many people, does not mean it will necessarily work for you.
My parents have a ridiculous work ethic; my dad just works, works, works, works, works. I think it would be hard to find a guy who's logged more hours than that guy.
Who works for glory misses oft the goal; Who works for money coins his very soul Work for the work's sake, then, and it may be, That this thing shall be added unto thee.
I love a long bath. I love anything creative. I love decorating. I even love just flipping through magazines and vegging out for a while. But I'm also one of those people who loves to work, so I'll sing, dance, work on my next performance, or write whomever it may be about a new idea.
I think any musical has so many moving parts and the challenge is unifying all the moving parts in particular because you have the camera and now it's all about adaptation and what works in one medium doesn't necessarily work in another so the challenge is to stay as true as you can to the material and yet not be afraid to step out of it and add elements to make it satisfying cinematically.
Poetry offers works of art that are beautiful, like paintings, which are my second favorite work of the art, but there are also works of art that embody emotion and that are kind of school for feeling. They teach how to feel, and they do this by the means of their beauty of language.
Nick O'Leary loves to compete. His work ethic is fantastic, and that's what I like about him. He works, and works, and works; and if he has to get better, he gets better.
Too much of our work amounts to the drudgery of arranging means toward ends, mechanically placing the right foot in front of the left and the left in front of the right, moving down narrow corridors toward narrow goals. Play widens the halls. Work will always be with us, and many works are worthy. But the worthiest works of all often reflect an artful creativity that looks more like play than work.
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