A Quote by Chip Kidd
Yes, Garnett Grey was an Architect. Were a psychoanalyst to approach him from behind, tap his shoulder, and say 'Humanity,' Garrett'd spin and respond, without hesitation, 'Solvable'.
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His body rigid with terror as he waited for the savages to something horrible to him—bash his head with clubs, or stab him with spears, or… …or tap him on the shoulder.
I used to not like being called a 'woman architect.' I'm an architect, not just a woman architect. The guys used to tap me on the head and say 'you're OK for a girl.' But I see an incredible amount of need from other women for reassurance that it can be done, so I don't mind anymore.
I used to not like being called a 'woman architect': I'm an architect, not just a woman architect. Guys used to tap me on the head and say, 'You are okay for a girl.' But I see the incredible amount of need from other women for reassurance that it could be done, so I don't mind that at all.
Michelangelo's contemporaries thought him the greatest artist who ever lived and called him 'divine.' His reputation as sculptor, architect, painter and draughtsman has not subsequently been surpassed, and who is to say his contemporaries were wrong?
When you approach your baby with an attitude of respect, you let him know what you intend to do and give him a chance to respond. You assume he is competent and involve him in his care and let him, as much as possible, solve his own problems. You give him plenty of physical freedom and you don't push development.
What attracted me to Jimmy Bulger were the various facets of his personality and his humanity because I felt that the only way I could approach playing a character like him was to find his human side first and then map that out to see where it took the turn. He was a very complicated man.
What do you want? "To know you," she said without hesitation. "All of you. I want to know what makes you feel good." "Your laughter," he said without hesitation. "Feeling your hands on me. The way you look at me, whether I've been a complete dumbass, or just made you come-" With a laugh, she ducked her head, but he dipped his down until she was looking at him again. "You want to know what scared me?" he asked. "Yes" He leaned even closer and slid a hand to the nape of her neck. "The thought of never having those things with you again." -Chloe and Sawyer (Head over Heels)
Were I to go down into the market-place, armed with the powers of witchcraft, and take a peasant by the shoulders and whisper to him, 'In your lifetime, have you known peace?' wait for his answer, shake his shoulders and transform him into his father, and ask him the same question, and transform him in his turn to his father, I would never hear the word 'Yes,' if I carried my questioning of the dead back for a thousand years. I would always hear, 'No, there was fear, there were our enemies without, our rulers within, there was prison, there was torture, there was violent death.
First and foremost, at drama school it gets drilled into you that you say yes to anything. If they say, can you tap-dance with a monkey on your head in your audition, you say yes.
She tries to turn too soon, and the ladder smacks into Fernando's shoulder. "Oh! Sorry, Nando." The jolt knocks his glasses askew. He smiles at Christina and takes the glasses off, shoving them into his pocket. "Nando?" I say to him. "I thought the Erudite didn't like nicknames?" "When a pretty girl calls you by a nickname," he says, "it is only logical to respond to it.
A ball had passed between my body and the right arm which supported him, cutting through the sleeve and passing through his chest from shoulder to shoulder. There was no more to be done for him and I left him to his rest. I have never mended that hole in my sleeve.
Would you trust him with your life, Halt?" Gilan interrupted, and Halt looked up at him. "Yes," he said quietly. Gilan patted his shoulder once more. "Then trust him with his own," he said simply.
But on the way home tonight, you wish you'd picked him up, held him a bit. Just held him, very close to your heart, his cheek by the hollow of your shoulder, full of sleep. As it it were you who could, somehow, save him. For the moment not caring who you're supposed to be registered as. For the moment, anyway, no longer who the Caesars say you are.
We have to respond to budget concerns, we have to respond to functional and programmatic concerns of the building, and we have to respond to public engagement. That's what you sign up for when you decide to become an architect.
Yokohama does not improve on further acquaintance. It has a dead-alive look. It has irregularity without picturesqueness, and the grey sky, grey sea, grey houses, and grey roofs, look harmoniously dull.
I grew up watching Gregory Hines banging out rhythms like drum beats, and Jimmy Slyde dancing these melodies, you know, bop-bah-be-do-bap, not just tap-tap-tap. Everyone else was dancing in monotone, but I could hear the hoofers in stereo, and they influenced me to have this musical approach towards tap.
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