A Quote by Chip Kidd
I still have a steady stream of book cover work. I'm grateful for it. Viva le book!
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Pour e crire ce livre essentiel, le seul livre vrai, un grand e crivain n'a pas, dans le sens courant, a' l'inventer puisqu'il existe de j a' en chacun de nous, mais a' le traduire. To write the essential book, the only true book, a great writerdoesnot needto invent becausethebook already exists inside each one of us and merely needs translation.
A big leather-bound volume makes an ideal razorstrap. A thing book is useful to stick under a table with a broken caster to steady it. A large, flat atlas can be used to cover a window with a broken pane. And a thick, old-fashioned heavy book with a clasp is the finest thing in the world to throw at a noisy cat.
Like many of the people quoted on this dust-cover, I have not read Carl King's book. I am confident, however, that my review still applies: So, You're a Creative Genius is the best book available on modern cartography.
The burning of a book is a sad, sad sight, for even though a book is nothing but ink and paper, it feels as if the ideas contained in the book are disappearing as the pages turn to ashes and the cover and binding--which is the term for the stitching and glue that holds the pages together--blacken and curl as the flames do their wicked work. When someone is burning a book, they are showing utter contempt for all of the thinking that produced its ideas, all of the labor that went into its words and sentences, and all of the trouble that befell the author . . .
The world is woman's book.
[Fr., Le monde est le livre des femmes.]
A great comic-book cover occurs when it gets a potential reader to pick the book up and start thumbing through it. That's a comic cover's job: Attract someone's attention, and persuade them to try the issue out.
The only book I ever read cover to cover was The Pete Rose Story. I read half of The Lou Gehrig Story and then made a book report on it for four straight years.
When a translator translates my book, it is no longer just my book. It is the translator's book, too. So the book in another language is almost the work of two people. And that is quite interesting to me.
You go into the book store, there's the cut-out of Dr. Phil, and then the dreaded women's health section where every book, instead of the menopause book with the fanged Medusa head on the cover that might be more pertinent, you always see a flower and a poppy and a daisy and a stethoscope.
'The Things They Carried' is labeled right inside the book as a work of fiction, but I did set out when I wrote the book to make it feel real... I use my own name, and I dedicated the book to characters in the book to give it the form of a war memoir.
I read this book when I was young. It's about a black girl growing up in Heaven, Ohio. The cover has a black girl with clouds behind her. It was the first book cover I ever saw with a girl that looked like me.
I've always been a big fan of beauty. Sure, you can't judge a book by its cover but who wants to have sex with a book?
Don't judge a book by its cover 'til you've read the book.
You will want a book which contains not man's thoughts, but God's - not a book that may amuse you, but a book that can save you - not even a book that can instruct you, but a book on which you can venture an eternity - not only a book which can give relief to your spirit, but redemption to your soul - a book which contains salvation, and conveys it to you, one which shall at once be the Saviour's book and the sinner's.
If you've written a powerful book about a woman and your publisher then puts a 'feminine' image on the cover, it 'types' the book.
The closure of the book is an illusion largely created by its materiality, its cover. Once the book is considered on the plane of its significance, it threatens infinity.
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