A Quote by Chita Rivera

American audiences are affected by what the English people think. — © Chita Rivera
American audiences are affected by what the English people think.
Bonnie and Clyde became not just a big hit, but a movie that went through young audiences like a first slug of Scotch. It affected clothes, talk, manners. Though set in the thirties it had the feeling of 1966, the most dangerous moment in American young people remembered.
Well, English is no problem for me because I am actually English. My whole family are English; I was brought up listening to various forms of the English accent. Obviously there are more specific ones that get a little bit tricky. Same with American stuff. But because in Australia we're so inundated with American culture, television, this that and the other, everyone in Australia can do an American accent. It's just second nature.
Musicians are affected by the audience just as much as audiences are affected by the musicians. The only problem is that often times musicians won't allow themselves to admit to that fact.
I think American audiences are open to people with accents and different nationalities being on the screen.
I think a lot of American fans or people that read about us - they think that we're trying to be a part of the American culture, like all these Swedish kids that love America. We rap in English, so I guess there's something, but we're very Swedish, actually.
I'm not one of these people who say how much better American drama is than English. I find it mostly too American, except for The Sopranos, which I think is the best thing.
I think English punk died in '79 or '80. Maybe '82 at the latest. As far as American punk goes, it wasn't the same as English punk. It wasn't a working-class movement that was protesting the conditions under which this class had to work. I don't think American punk ever died.
What happens is people - especially, I think, audiences in the United States - people confront new things a little bit afraid. It's like when you're a kid and your mother puts something on your plate you never ate before. I think that American audiences are very much like that, and when they can accept something new they can accept the next new thing, it's incredible. And what happens is that their expectation of what things should be is elevated, and that's really terrific for us.
I think the American people want to see the interactivity between candidates and audiences, and tough questions posed by people and how you handle them under fire.
Actually, until a few years ago, my English was very poor. I wasn't thinking of my American roots at all, until I went to play in an American youth team. From that moment, my English improved, and I started to feel more American.
The English tourist in American literature wants above all things something different from what he has at home. For this reason the one American writer whom the English whole-heartedly admire is Walt Whitman. There, you will hear them say, is the real American undisguised. In the whole of English literature there is no figure which resembles his - among all our poetry none in the least comparable to Leaves of Grass
When 9/11 happened, it affected everything. It affected me. I'm an American, and I'm like, 'Oh my God, this is evil. This is terrible.'
It's not that I don't like American pop; I'm a huge admirer of it, but I think my roots came from a very English and Irish base. Is it all sort of totally non-American sounding, do you think?
American audiences are just the same as any other audiences. Except a bit more boring.
American audiences and European and Asian audiences are so different.
I had a weird accent. Dutch people speak American English, and my parents were Jamaican, with their own broken English.
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