A Quote by Chitra Banerjee Divakaruni

By the time we're adults, our ideas have solidified. So I wanted to write for a younger audience, who would perhaps love heroes from other cultures. — © Chitra Banerjee Divakaruni
By the time we're adults, our ideas have solidified. So I wanted to write for a younger audience, who would perhaps love heroes from other cultures.
After 9/11, there was so much distress in America that it led to an inter-cultural breakdown. Some of our communities were targeted. Many of our adults shut themselves off from other cultures. I tried to bring children of Indian and other cultures together in my literature.
I've always wanted to be a part of that experience of writing to an audience that is just starting to fall in love with books. When I felt that my writing for adults had become cemented, I decided to write a YA series.
Globalization means we have to re-examine some of our ideas, and look at ideas from other countries, from other cultures, and open ourselves to them. And that's not comfortable for the average person.
With the 'Old Kingdom' trilogy, at least half the readers were older adults rather than younger adults. I wrote them for myself with no particular audience in mind.
I used to write poems more when I was younger, but I haven't in a long time. I just write ideas and paragraphs and go from there.
Ideas are like stars; you will not succeed in touching them with your hands. But like the seafaring man in the desert of waters, you choose them as your guides, and following them you will reach you destiny. Perhaps you could get a clearer idea of our destiny if we took time out to examine our ideas, and upgraded them if necessary. What things are most important to you? If you could do anything you wanted to be, what would you be? If you could achieve a single objective in life, what would it be?
The one concession I've made as I've gotten older is that my children are now adults and they're in their twenties and thirties and so I'm careful about how I write about them. I may write about them as a child, but I'm not going to write about their current struggles because they're adults and they can do it for themselves. I want to give them some space in a way I didn't when they were younger.
The heroines for our established heroes are getting younger and younger. So the heroines, who started their careers with these established heroes, are quickly promoted to senior roles.
Adults follow paths. Children explore. Adults are content to walk the same way, hundreds of times, or thousands; perhaps it never occurs to adults to step off the paths, to creep beneath rhododendrons, to find the spaces between fences. I was a child, which meant that I knew a dozen different ways of getting out of our property and into the lane, ways that would not involve walking down our drive.
Women encourage killers. They do it by falling in love with warriors and heroes. Men know it and respond with enthusiasm. The Crusaders marched off to war with ladies favors in their helmets. The heroes sliced up adults and baked infants on spits, all the while thinking of how the damsels back home would admire their bravery.
When my mom turned 91, I wanted to use the time that we have left in our lives to get to know each other as adults.
We want to uplift the culture of Filipino - our respect to our elders, how we pray before we eat and sleep. These are things the younger generations tend to forget because of our exposure to other cultures.
I'd say we do reach somewhat of a younger audience, but I think for the most part that younger audience is picking our music up from a brother or sister or even parent, who is turning them onto the band.
'A Fair Maiden' existed in notes and sketches for perhaps a year. When I traveled, I would take along with me my folder of notes - 'ideas for stories.' Eventually, I began to write it and wrote it fairly swiftly - in perhaps two months of fairly intense writing and rewriting. Most of my time writing is really re-writing.
I think every theater in America wants a younger audience... and you can't just hope to have a younger audience, you have to program things that audience is going to connect with.
Young readers are the most challenging, demanding, and rewarding of audiences. Adults often ask why I write for the younger set. My reply: 'I can't think of anyone I'd rather write for.'
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