A Quote by Chitra Banerjee Divakaruni

I have no particular reader in mind, but a passionate desire to tell an honest, moving story. — © Chitra Banerjee Divakaruni
I have no particular reader in mind, but a passionate desire to tell an honest, moving story.
Tell a story! Don't try to impress your reader with style or vocabulary or neatly turned phrases. Tell the story first!
I try to employ a different strategy for each story. Often, I'll have a specific look in mind before I even have the story to go with it. I'm not so much interested in forcing the issue of reader identification through various graphic tricks. I'm more interested in creating specific characters that resonate with my own particular inner struggles.
my crime books are actually novels and are written as such. One might even say that each one is really two novels, one of which is the story I tell the reader, and the other the buried story I know and let slip now and then into a clue to whet the reader's interest.
But I am not sure it would contain any short stories. For the short story is a minor art, and it must content itself with moving, exciting and amusing the reader. ...I do not think that there is any (short story) that will give the reader that thrill, that rapture, that fruitful energy which great art can produce.
The big nut to crack is to how to tell a story, what’s the right way to tell a particular story.
I think, as writers, our first responsibility is to writing an honest story. Tell the story you want to tell, without pulling your punches.
There are a million ideas in a world of stories. Humans are storytelling animals. Everything's a story, everyone's got stories, we're perceiving stories, we're interested in stories. So to me, the big nut to crack is to how to tell a story, what's the right way to tell a particular story.
Memoirists, unlike fiction writers, do not really want to 'tell a story.' They want to tell it all - the all of personal experience, of consciousness itself. That includes a story, but also the whole expanding universe of sensation and thought ... Memoirists wish to tell their mind. Not their story.
My readers have to work with me to create the experience. They have to bring their imaginations to the story. No one sees a book in the same way, no one sees the characters the same way. As a reader you imagine them in your own mind. So, together, as author and reader, we have both created the story.
We're not keen on the idea of the story sharing its valence with the reader. But the reader's own life 'outside' the story changes the story.
We're not keen on the idea of the story sharing its valence with the reader. But the reader's own life "outside" the story changes the story.
I have been an avid reader since my youth. Because I also liked to play tabletop games, I soon felt the desire to make the story narrated in a book or an aspect of that story come alive in a game.
If one loves stories, then one would naturally love the story of the story. Or the story behind the story, pick your preposition. It does seem to me to be a kind of animal impulse almost, a mammalian curiosity. For a reader to wonder about the autobiography in a fiction may be completely unavoidable and in fact may speak to the success of a particular narrative, though it may also speak to its failure.
I think a story should take as long to tell as it is appropriate to that particular story.
Desire is poverty. Desire is the greatest impurity of the mind. Desire is the motive force for action. Desire in the mind is the real impurity. Even a spark of desire is a very great evil.
As a person of color, as a woman, as a body moving through this particular space in time, I realize the streets of New York tell the story of resistance, an African-American history of brilliance and beauty that, even in its most brutal moments, did not - could not - kill our resilient and powerful spirit.
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