A Quote by Chitra Banerjee Divakaruni

Each book is a separate entity for me. When I'm writing it, I enter its world and inhabit its vocabulary. I forget, as it were, that I ever wrote anything else. — © Chitra Banerjee Divakaruni
Each book is a separate entity for me. When I'm writing it, I enter its world and inhabit its vocabulary. I forget, as it were, that I ever wrote anything else.
I wrote because I had to. I couldn't stop. There wasn't anything else I could do. If no one ever bought anything, anything I ever did, I'd still be writing. It's beyond a compulsion.
You must stop seeing God as separate from you, and you as separate from each other. [...] Nothing exists in the universe that is separate from anything else. Everything is intrinsically connected, irrevocably interdependent, interactive, interwoven into the fabric of all of life.
I'm writing all the time. And as the songs begin to coalesce, I'm not doing anything else but writing. I wish I were one of those people who wrote songs quickly. But I'm not. So it takes me a great deal of time to find out what the song is.
From the world of the muse and writing, there will come, hopefully, the book. You're right, for me, that the muse is always female, and the book comes from a separate gender dimension than the concrete male world that, as you pointed out, has been surrounding me since I was an infant.
Do you know what I was smiling at? You wrote down that you were a writer by profession. It sounded to me like the loveliest euphemism I had ever heard. When was writing ever your profession? It's never been anything but your religion.
I think of my success as a kind of fluke. How else could I possibly think of it? And although it's a banal thing to say, I wrote my book because I was writing my book. At first I didn't know I was writing it, and one of the amazing things that happened as I was putting sentences down on paper is that some of the things that are most sacred and important to me rose to the surface of the prose.
Listen,” F. Jasmine said. “What I’ve been trying to say is this. Doesn’t it strike you as strange that I am I, and you are you? I am F. Jasmine Addams. And you are Berenice Sadie Brown. And we can look at each other, and touch each other, and stay together year in and year out in the same room. Yet always I am I, and you are you. And I can’t ever be anything else but me, and you can ever be anything else but you. Have you ever thought of that? And does it seem to you strange?
To read a book is to hold an entire world in the palm of your hand. That world is unique to you; no two readers can ever inhabit the same world
The first couple of pictures I wrote and directed were dreadful, because I was dealing in worlds that were not familiar to me, and writing about fantasy. They were just not anything I was really connected to.
And now, what does it all matter? It matters more than anything else in the world. The whole dance, or drama, or pattern of this three-Personal life is to be played out in each one of us: or (putting it the other way round) each one of us has got to enter that pattern, take his place in that dance. There is no other way to the happiness for which we were made.
I rarely, if ever, had another book in mind while I was writing the previous book. Each book starts from ashes, really.
Writing is not a job or activity. Nor do I sit at a desk writing for inspiration to strike. Writing is like a different kind of existence. In my life, for some of the time, I am in an alternative world, which I enter through day-dreaming or imagination. That world seems as real to me as the more tangible one of relationships and work, cars and taxes. I don't know that they're much different from each other.
Well, I believe that "thinking" is just as real a phenomenon in the world as anything else, and just as worthy of exploration. Maybe even more? So writing about "thought" to me is like writing about a tree or anything else real.
Writing my first book, I think in hindsight I went into it saying, 'It's gonna sell.' I was earning enough to scrape by sometime around a book or two before 'Tell No One.' I moved up from $50,000 to $75,000, then $150,000 for each book. I had never thought I would be doing anything else. I had enough encouragement.
I think you get so wrapped up in the book you're currently writing, it's hard to think about anything else. But I know as soon as I'm done with this book, I'll move on to something else.
You could have had anything else in the world, and you asked for me." She smiled up at him. Filthy as he was, covered in blood and dirt, he was the most beautiful thing she'd ever seen. "But I don't want anything else in the world.
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