A Quote by Chitra Banerjee Divakaruni
I interviewed a lot of people in India, and I asked my mother to send me a lot of Bengali books on the tradition of dream interpretation. It's a real way for me to remember how people think about things in my culture.
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I'm very happy that whenever we talk about Bengali cinema anywhere in India, people talk about me with a lot of respect.
As my parents are from India, I am told a lot of positive things about the country, the culture and traditions of Muslims in India. I don't remember anything nasty told to me by my parents.
I think a lot of people don't wear their hearts on their sleeves. I think people should, but a lot of people don't. People may be a bit taken back sometimes about how honest I am and how open I am. But I'm happier this way - it's a good thing for me.
The people who review my books, generally, are kind of youngish culture writers who aspire to write books, or write opinion pieces about what they think of Neil Young, or why they quit watching ER or whatever. And because of that, I think there's a lot of people who write about my books with the premise of, "Why this guy? Why not me?"
I'm not really into religion, OK. I saw a lot of things I did not like when I got into organized religion. I think a lot of people abuse it, I think a lot of people use it, I think a lot of people make it what they want. And me, my faith and my relationship with God is very personal. And it's not anybody's damn business how we talk.
I think the '80s created me, in a way, when I look back on that time, but I don't necessarily think that a lot of my choices, and a lot of things that I did, and a lot of things that happened to me - or I let happen to me - were about that decade.
I never learned how to make music, play an instrument, then a lot of people told me things like "you will never succeed" and "it's just a dream" - anyway it made me much trouble, but in a way it made me work hard to become more than a dream.
This game's a lot easier early on in your career because people haven't seen you play. Things got a lot harder when people saw what I did with the ball and began to think about how to bat against me.
A lot of people seem to think that art or photography is about the way things look, or the surface of things. That's not what it's about for me. It's really about relationships and feelings...it's really hard for me to do commercial work because people kind of want me to do a Nan Goldin. They don't understand that it's not about a style or a look or a setup. It's about emotional obsession and empathy.
In terms of e-books, though, I haven't quite gotten to the bottom of it yet, but for some reason everybody I know seems to want to engage me on that topic, or convert me. I think there are a lot of people who just want to hear me embrace e-books or finally say, 'OK, I bought an iPad and it's awesome!" There are a lot of people who would get a kick out of it, that's for sure.
Image and music always works together for me. I think they're equally important and I've always done things in a way that people remember them by, but I don't set out to just shock people...because that's very easy, a lot of people could do that, I just like to do things the way that makes me happy really. And sometimes that's too much for certain people, but, you know, I try to push the envelope to make the boundaries wider as far as what you can and can't do in music.
At this point, a lot of people have made their mind up about me one way or another. I'm sure there's a certain segment of writers who won't ever give me the time of day, hate me, don't get me, don't think I'm good, or whatever. I guess that's fine. It's only an opinion. There are other people who do get it, and can be objective. I could be wrong, but a lot of people, except for really young people, have made up their minds one way or the other.
I am interviewed a lot about 'Friends' and people always want me to say nasty things or 'what was this person like.' And I can't because they were all wonderful.
I've met a lot of people and happened to inspire a lot of people who I'm in conversation with about business. It's just how things are going for me and it's great, but music is always going to be number one for me.
The way the left is reacting to the death of Fidel Castro up against the incontrovertible facts of who he was, you want to talk about a disconnect. In fact, I don't think it is a disconnect. I think the left, the power brokers, the leaders, I think they actually did admire the guy. I think this is what they think Castro's power - I've always said, the people have asked me, how do these actors and people and these leftist politicians, how come they admire people like this? I said, "They envy their power." And I think there may be a lot to that.
I dream of big things. I work for the small things. If you're going to dream, you might as well dream big. A lot of that came from my mother. She was adamant about the work ethic---about how you can't just dream things.
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