A Quote by Chitra Ganesh

I feel a disparity between my life in India within the home and my life outside the home - my life within public and private space. In terms of here and there, there were some differences, but New York and India were very different when I was growing up in the '80s. Definitely in terms of the visual and popular culture I encountered within my home - that was very different from the complete lack of representation I saw of South Asian culture outside of that space.
Thirty spokes meet in the hub, but the empty space between them is the essence of the wheel. Pots are formed from clay, but the empty space within it is the essence of the pot. Walls with windows and doors form the house, but the empty space within it is the essence of the home.
Every culture is different in terms of what is taboo and what is acceptable. I grew up in Singapore, where people are very mindful of that. One can see that as restriction or as consideration for a fellow person living within a shared environment.
When I'm on stage, I feel very much at home - within a theater, within an ensemble - so this entire process is something I feel very attuned with.
My life certainly hasn't been ordinary: different is the word. It hasn't always been stable - except in the important things which are love and security within the family. Whenever there were strains at home, we could always communicate. The rule was that the younger you were, the louder you were allowed to scream. As the eldest, I just talked.
When we are stricken and cannot bear our lives any longer, then a tree has something to say to us: Be still! Be still! Look at me! Life is not easy, life is not difficult. Those are childish thoughts. . . . Home is neither here nor there. Home is within you, or home is nowhere at all.
I felt strange in my own family, because I had a very liberal mind, and I would ask myself, "Why is there this discrimination between men and women?" In our culture, the man should be outside and the woman should be at home. I wanted to study, or meet my friends, and I couldn't. And I felt very different.
I want to clear this once and for all. I was born in Hong Kong. I grew up in Japan and China. London is not home for me. I was there only for three years before I moved to India, but that's probably why I am connected with it. London is definitely not the place I consider my home. It's India that I consider home.
We naturally assume that our mental structures are universal. But I suppose an outside biologist looking at us would see something very different. He would see that, like other organisms, we have a narrow sphere within which we are very good, but that sphere is very limited. And that, in fact, the very achievements we can have within that sphere are related to lack of achievements in other spheres.
To separate from my culture (as from my family) I had to feel competent enough on the outside and secure enough inside to live life on my own. Yet in leaving home I did not lose touch with my origins because lo mexicano is in my system. I am a turtle, wherever I go I carry 'home' on my back.
There were two free public libraries within walking distance of my home; I remember taking six books home from every visit, the limit set by the library.
Juggling produces both practical and psychological benefits.... A woman's involvement in one role can enhance her functioning in another. Being a wife can make it easier to work outside the home. Being a mother can facilitate the activities and foster the skills of the efficient wife or of the effective worker. And employment outside the home can contribute in substantial, practical ways to how one works within the home, as a spouse and as a parent.
New York is a city with virtually no habitable public space - only private spaces expensively maintained within the general disaster.
Music is the purest form of art... therefore true poets...seek to express the universe in terms of music. The singer has everything within him. The notes come out from his very life. They are not materials gathered from outside.
If anything, when you're up in space and you're inside a space ship, which is your home, and without which you would not survive, you know that Earth is your home. This is the only place you can return. In fact we're very meticulous. Part of our job is to maintain the spaceship. If we apply the same kind of model to Earth maybe we'd have a different outlook.
I want to explore a new place each year, and it can be within India. When I was shooting for 'Mohenjo Daro', I couldn't travel out of the country for two years. But it gave me an opportunity to explore new places within India. I'm sure there are so many places to explore in India, and I would love to go there.
I lived in Greece for about four years of my life, and living there had a huge impact on my life growing up. My father was very much adamant that we would learn about our culture. It's a very rich culture to be a part of since it has such a great history behind it. I definitely carry that in my job, and I am very passionate.
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