A Quote by Chiwetel Ejiofor

I started working as an actor, semi-professionally, when I was 16, and got my first professional gig at 19. I guess I've kind of worked pretty consistently since then. — © Chiwetel Ejiofor
I started working as an actor, semi-professionally, when I was 16, and got my first professional gig at 19. I guess I've kind of worked pretty consistently since then.
Knock wood, but I started acting professionally when I was 16, and I've always been able to support myself since then.
I ended up an actor, did my first professional union gig in 1974, and I've been doing it ever since.
Cue actor platitude, but I've been very fortunate and worked pretty consistently and have felt rather annoyingly grateful that I got to do what I got to do.
I always wanted to be an actor. My first professional job was at 19, working in New York theater.
I used to work in a maternity shop when I was at college. But I started baby-sitting in the evenings. I started then to professionally nanny full time, sole charge, when I was 18. I finished college, and then I didn't go on to do anything else. I started to professionally help families, and I chose not to go to training for professional nannies.
I started dancing at age three and then got involved in musical theatre and acting around age seven. I think I've probably known since then that I want to be a professional actor.
I believe in God. I got down on my knees and I said, 'I get it. If this isn't for me, then it isn't for me.' And then a week later, I started working. I worked on 'The Following,' I worked on 'Elementary,' I worked on a pilot and then I got 'Orange.' So literally from that moment of deep surrender, that's when you're blessed.
I got signed to a development deal when I was 15. That fell through after about a year when the company merged with another label. Then I got picked up by Sony publishing. So I was writing professionally from 16 to 18. Then I started making my own records.
I started presenting when I was 16, and because TV is such a small world, you often end up working with the same people. I would say I've worked with pretty much the same circle of people ever since, so in a way I have always felt cradled by them, protected; they've looked out for me because they've known me since I was a child.
I wanted to become an actor. I went to Guildhall School of Music and Drama, which is one of the main drama schools in London where you go when you are older. But I was doing the junior one when I was a kid. And some friends there had agents. I was fourteen and I was like, "I want an agent! It sounds awesome!" I had no idea what that was. I thought those guys looked like men in black. They were hanging around in suits all the time. So I luckily got a very good agent in London and started auditioning. And then when I was 16, I got my first film and I've been working ever since.
When I was about 16, I started to believe I could play professionally. I worked hard and focused more.
I've been working in theater, really, since about 1965. I started working with the Mabou Mines about then, and in a way I've always worked in the theater, but it's never been a main part of my work. And it wasn't until Einstein that I kind of shifted into high gear with theater, working with Bob, with Bob Wilson. And since then I find it a very attractive form to work in. It's just an extension of my work.
I started working myself from about 14, really, so I wasn't a burden on my family. I did a paper round and a milk round. When I was 15 or 16, I worked in a supermarket on Saturdays stacking shelves, and then every summer I temped, right through university until my working days started.
I played drums since I was 6 years old. And then I got into producing music when I was about 16 or 17. Somebody showed me FL Studios, the program. My beats were bad at first, but then eventually they started to get good.
I started to act in highschool and became a professional actor at 19.
I started doing my own animated movies when I was in ninth grade; that's when I got the filmmaking bug. When I was about 16, I started writing jokes for doing stand up, and then I was 19 and started doing stand up.
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