A Quote by Chiwetel Ejiofor

The only way to be an actor is to find ways to work as an actor, even if that means doing a one-man show by a river. — © Chiwetel Ejiofor
The only way to be an actor is to find ways to work as an actor, even if that means doing a one-man show by a river.
As an actor, I don't really think you find yourself. I mean, once you find yourself, I think it becomes boring and you become set in your ways. I think, as an actor I think it's not a bad thing but more of a gift. It's something you're always doing as an actor. You're adjusting constantly.
The truth is, an actor's performance is the result of work by a lot more people than just the actor. When you see that character portrayed up on screen, there is the work certainly of the actor, but there's the work of the editor, there's the work of what the camera was doing. What the music was doing, all of the above.
Acting in a scene is like paddling a canoe from a pebbly beach on to the river, the writer builds the canoe, and the actor provides the river. The river is the actor's thoughts and emotions.
One of the most, in a weird way, encouraging things a director can say to an actor - I know this as an actor - is when you ask them a question, they say, I don't know - 'cause it means there's some space there for you to find out. And it means that there's going to be a process.
I never thought about being the first black actor to win, even though everybody else talked about that. If I stop to think as a black actor, people will see me differently. If I play as a black actor, people will only see that. I think my key was to perform as an actor, not as a black actor. And after winning the Cesar, I was an actor with a Cesar. there are many more adjectives to describe who I am. I'm not only black.
An actor is an actor. There should be no labelling - mainstream actor, art film actor, serious actor, comic actor.
I feel like in a lot of ways I've gotten kind of soft as an actor, not doing stage stuff. In terms of being a better actor, it's really important.
I had a teacher in Paris, who said that if an actor forgot what it's like to play as a child he shouldn't be an actor. I've always loved being with children. It's marvellous to see the fresh ways they see the world. Watching them look at a tree or a river helps you to understand something that's very important.
When I became an actor, I knew that there were only two ways of going about it - either I become an actor who has expectations, or the reverse of it.
As an actor, you don't really have a say or a voice in what the conversation of the show is going to be. So, as an actor, I'm just trying to make sense of why the character is making these choices, and somehow, in that way, you can sympathize or root, at least not detest, what this person is doing. That's, at least, my job in telling that story.
I don't want to become a star. I never wished to become an actor, even when I am here. When you decide to become an actor, you've to choose why you're doing it. Are you doing it to become an actor or because you want to be famous? I am doing it because I love being in front of the camera.
How you look is part of what acting is, but the way I look at it, every actor is a character actor. Someone once told me at a casting, 'You're a character actor in a leading man's body,' and I can live with that.
I learned so much from my life as an actor, as a kid actor through being an adult actor, and then becoming a writer and producer and doing animation.
I believe that earning your living doing something you enjoy is one of the very best ways to nourish yourself. But even if you are employed at something that is not your ideal work, it is important to find ways to take as much pleasure in it as possible. Living in the present moment can make ordinary activities more interesting and joyful; you may be surprised, if you only look, at what you will find. If you try to stay connected with why you are doing what you are doing, for example, then even the parts of your life that aren't especially interesting can become more meaningful.
Going from a child actor to an adult actor is not an easy thing, and I was sort of lost in a no man's land for a while, trying to figure out who I was as a person, and going from a young actor to an adult actor.
The way an actor is trained doesn't ultimately have much bearing on my work. I'm interested in the actor as artist.
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