A Quote by Chiwetel Ejiofor
I think that all the talented filmmakers sort of share, I think, a sense of allowing magic to happen; of creating a stable and secure environment for performers to feel they can push to the end of their ability.
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Magic is a two-way process: you use it to change yourself and in return, it changes you. Letting yourself enter a magical reality is not about creating an enclave of magic beyond your everyday life, but of allowing magic in- allowing for the intrusion of the weird, the irrational, the things you can't explain, yet are undeniably real.
I should say, a piece of advice that was given to me very early on by the principle of RADA (Royal Academy of Dramatic Art) which is where I went. When he auditioned me, he said, "Your speech, monologue, is fine. It's good. Yeah, I think you have ability but you're making it happen. Don't make it happen, let it happen." And that's a sort of subtle shift I think, as an actor.
Great performers in all fields seem immune to what outsiders think about them. Their sense of themselves never depends on the feedback-positive or negative-they get from the environment.
True change is a long game, and it remains to be seen if this is change. We've had years before where there have been great years for filmmakers and performers of color, LGBTQ filmmakers and performers, women.
Fiction is a sort of inter-human magic, allowing you to travel into a scene and feel it tingle on your skin.
The ever-present impulse is to push against restriction and, in so doing, to feel intolerably hemmed in. Thus in practice, every liberation increases the sense of oppression. Nor is the paradox merely in the mind: the laws enacted to secure the rights of every person and group, by creating protective boundaries, create new barriers.
I think it's more likely that we can make positive changes happen on environment and military issues if states begin to secede. I don't think it's question of personal lifestyle preference or some sort of parochial identification with your state. I think it's an absolute moral demand that something be done to create a government with some power that can be controlled by the residents of its territory. That was supposedly the idea in creating the United States, but it doesn't exist now and we have to make it exist even if it's piece by piece, part of the United States at a time.
I think about the structure, sure. I think about what's going to happen, and how it's going to happen, and the pace. But I think if I stop to think about it in an abstract sense, I feel very daunted. I just try to enter into the story and feel my way through it. It's a very murky, intuitive way of going about it.
I think filmmakers, in general... There are some awesome, really great filmmakers - but on the whole, filmmakers, actors, I think they are the biggest bunch of whiny, over-paid babies on the planet.
I think there can be a positive sort of futurism even in a presentist society. But I think it's a kind of futurism that envisions augmenting human ability and intellect rather than creating some artificial machine intelligence that displaces us.
What I don't like from the president's administration is this sort of, 'I'll put my boot heel on the throat of BP.' I think that sounds really un-American in his criticism of business. And I think it's part of this sort of blame-game society in the sense that it's always got to be someone's fault instead of the fact that sometimes accidents happen.
I hope my talent has something to do with it. I just think this business is so crazy. I obviously do the best I can, and the directors I admire see something in me. But this is a strange business, and there are people who are incredibly talented who never make it, who never get these opportunities. So that's why I say I'm lucky. I don't feel that I'm not talented - I think I am talented - but I also think I'm very lucky.
I think here in the U.S., we have a hard time accepting disabilities. That's why I think it's really good to share and let kids know that its not a disability, it's an ability. You have an ability to inspire others.
Over the past year I'vediscovered if you keep on giving and giving, you end up losing yourself. I think that learning to give and receive is the trick. Perfect happiness is also a feeling, and the most amazing thing is that we were all born with the gift to make it happen in a heartbeat. Putting on certainmusic, reading something can make us feel a certain way. I think the key to happiness is allowing ourselves to not feel bad or guilty for feeling it, and letting it be contagious. And to not be dependent on other people to create your own happiness.
I very much enjoy working with talented filmmakers who have a good sense for music, who have a strong feel for music and for what music can do in a film.
If a script comes together, and you end up liking the people who are part of it, that's when you can make magic happen. It's a huge combination of trying to find something you think you can deliver on and a director you think you can collaborate with to make a good picture.
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