A Quote by Chiwetel Ejiofor
I started, obviously, doing theater, and I always thought that I would; in a way, I always thought that I'd be a theater actor. When I was starting out, I didn't really plan on making films, actually.
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I feel like any actor that has started out in the theater, the theater will always be their home.
Even before Pentatonix, I always thought that I would be out here in New York doing Broadway and doing musical theater. That was what gave me the passion for music in the first place, so it's been really, really, cool.
I come from Nova Scotia, and I'd never seen a theater or been inside of a theater. When I was 17, my dad asked me what I wanted to do, and I said I thought I would like to be an actor. I didn't have any idea what it was to be an actor. None. I'd wanted to be either an actor or a sculptor, which are both essentially the same thing. That's how it all started for me.
All directors are different. Certainly, the directors that I respond to the most are guys that figure it out by doing it, not by thinking or studying. Also, the kind of actor that I think I am - I learned about theater doing theater, not studying theater. I think that traditional school can be great, but also it can stifle original thought.
I started off doing plays as a theater actor. But I never thought of it in terms of it leading anywhere. I was just trying to be the best actor that I could be in the context of what I was doing.
The theater is a need for me. It's a terrible attraction, something I'm compelled to do. And one derives a form of nourishment from the theater which you can never get from films. Making films weakens you in some way. With the theater, the work itself is a regenerative process.
I started in theater; I did theater in New York for 14 years before I even thought about doing movies - I never thought about being in a film; it just never occurred to me.
I have always wanted to work in the theater. I've always felt the glamour of being backstage and that excitement, but I've never actually done it - not since I was in 5th grade, really. But I've had many plays in my films. I feel like maybe theater is a part of my movie work.
I'd always loved the theater, and I began by writing plays. I work in the theater a lot in the UK, and I've worked in the theater out here quite a bit. Everything else - the films - followed as a consequence of that.
At that age, filming Harry Potter, I never contemplated. I just went in there and did my acting. I never thought, "What's the character actually feeling here? What's he trying to get across?" And never looked at it from that classically trained actor's point of view. And so when Jason Isaacs started throwing up these ideas, I thought, "Whoa. What an interesting way to look at acting." Which is why, again, I would do theater.
The beauty of making theater is that you have to go and do it the next day. Making a show nightly is a really difficult skill. It's something every theater actor and every theater maker is challenged with.
I remember being interested in theater when I was in school, but I wasn't always engaged in making it a career. I was a cheerleader in Texas, but I tore my ACL, so I was out for the rest of the season. That's when I started putting more of my passion into theater.
I thought I was going to be a theater actor. I moved to New York after college and did some plays and worked a lot. Once the realities of living as a theatrical actor hit me, I realized I wanted to start making a little bit of money and not have to bartend and work in theater.
I wasn't that great in sports. I started doing children's theater and loved it. I thought I had a great thing going with musicals. I thought, 'I can do this. It's fun.' I wanted to go for it, and I thought I'd like to make a living doing this.
My dad was an actor, and my older sister is an actress, and so I very much remember thinking, "Well, of course I'll do that as well." But I never imagined myself as an actor who would be in films. I always only thought of myself being in a play or a musical and maybe the odd episode of [U.K. '80s TV drama] Casualty. My backup plan was to do something with children, to start a nursery school or work with underprivileged kids. And I still dream of maybe doing that in some way. I've always got children in my house, always.
I always thought moving to New York would mean starting over in theater, because I had great work in Chicago and didn't want to become a waitress here.
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