A Quote by Chiwetel Ejiofor
I was the classic middle child in some ways, the one who could have been a priest in an alternate universe.
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I don't think that necessarily I was encouraged by the nuns and the priest to consider alternate possibilities to the universe.
I've heard people ask, What's so sacred about a classic books that you can't change it for the modern child? Nothing is sacred about a classic. What makes a classic is the life that has accrued to it from generation after generation of children. Children give life to these books. Some books which you could hardly bear to read are, for children, classic.
'Tammy,' the new movie starring, produced, and co-written by Melissa McCarthy, could be an artifact from some alternate universe: the creatures there resemble Earthlings but have an entirely different and debased idea of what's funny.
The child awakens to a universe. The mind of the child to a world of meaning. Imagination to a world of beauty. Emotions to a world of intimacy. It takes a universe to make a child both in outer form and inner spirit. It takes a universe to educate a child. A universe to fulfill a child.
Any possible universe could be explained as the work of some sort of designer. Even a universe that is completely chaotic...could be supposed to have been designed by an idiot.
I have to say that I have no regrets about my decision to become a priest or about the major directions my ministry has taken me... I have been and am happy as a priest, and I have never been lonely... I could have used a bit more solitude.
I'm a middle child, so I have middle-child syndrome. With a middle child, you always have to take in everything and adjust and maybe compromise a little bit so you're able to see both sides of an issue. I'm also a Leo - I love astrology - so that affected me, just being a lion.
There were timelines branching and branching, a mega-universe of universes, millions more every minute. Billions? Trillions? The universe split every time someone made a decision. Split, so that every decision ever made could go both ways. Every choice made by every man, woman, and child was reversed in the universe next door.
I have a feeling there is no ideal situation, unless she could go back in time and be 22 again. I think some of it is just kind of the shock of realizing that you're approaching middle age, or that you are middle-aged and kind of coming to terms with that in whatever incremental ways.
I wake up like this, this sense that I've somehow been transported to an alternate universe where my life took a left instead of a right beacuse of some seeemingly insignificant yet cosmically crucial choice I've made, about a girl or a kiss or a date or a job or which Starbucks I went into...something.
It's creepy, but here we are, the Pilgrims, the crackpots of our time, trying to establish our own alternate reality. To build a world out of rocks and chaos. What it's going to be, I don't know. Even after all that rushing around, where we've ended up is the middle of nowhere in the middle of the night. And maybe knowing isn't the point. Where we're standing right now, in the ruins in the dark, what we build could be anything.
People will find some ways of identifying themselves, becoming associated with others, taking part in something. They're going to do it some way or other. If they don't have the options of participation in labor unions, political organizations that actually function, they'll find other ways. Religious fundamentalism is a classic example.
That’s part of what I like about the book in some ways. It portrays death truthfully. You die in the middle of your life, in the middle of a sentence
My work is very eclectic. I write books that range from writing fiction, writing fable where I am very directly trying to imagine alternate worlds, to writing about [Buckminster] Fuller who was the ultimate world man creating all sorts of alternate worlds and believing that they were imminent to my own work of - for instance, a project that I've been working on for some year and a half, two years now that continues to evolve has been what I call Deep Time Photography.
The Greek tragedies and comedies are like a roadmap to all the ways in which trying to live this rich, full life can go wrong. You could get into a war. You could find that you have members of your family on the wrong side of a political crisis. You could be raped. You could find that your child has gone crazy because of some horrible experience she's had.
In some ways, in 'The Queen of the Night,' I'm writing about some of the experience that I had with 'Edinburgh' where I was entirely unable to speak about what had happened to me as a child, but I could read from the novel.
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