A Quote by Chiwetel Ejiofor

I think when I was doing 'Amistad,' I was just too young to really understand what the process was, and beyond that, I hadn't really got involved. It was just somehow - and I thought that the artistry was all in the theater.
I really thought the process and what I'm used to doing on film would be different. I thought that because I wouldn't have the same amount of time, I wouldn't do all of the tracks that I like to do or the lighting that it takes. And then, I got there and realized that I don't know any other way. I just do all that stuff really, really fast and under a lot of stress.
It really wasn't fun any more, everything was too business-oriented. I just remember the old days when the band was really tight together, playing Eagle poker and just having a really good time while we were doing it. Towards the end, it just got too cut-throat.
I thought I'd be doing theater, really. That's all I had experience with growing up. I mean, I saw movies and television, but I don't think I really connected at a young age that that was acting, that that was part of the profession.
I grew up watching movies and television, and one day, when I was really young, I told my mom I wanted to become an actor, and she was really supportive and got me involved in local theater and commercials.
I just randomly fell into acting. I was so young at the time that I never really thought about acting... After I was into it, I had a feeling that I was going to end up doing this anyway somehow.
I didn't want to do television at all. I really didn't want to do it. I really thought I was just going to be doing theater and doing movies.
I think I'm better wired for television. I love variety as far as a project. I'm easily bored and the schedule of a television show, it just keeps you going. I love theater and I think doing a sitcom in front of a live audience is the closest you can get to theater, and it's really the best mix of like standup and theater, is really a sitcom. I started as a standup and I still continue to do that as well, so I think I'm just a TV guy and happy for it. I think my movie career is kind of like my social life, I'm picky and not in demand. So it perhaps is working out.
Dialogue is really aimed at going into the whole thought process and changing the way the thought process occurs collectively. We haven't really paid much attention to thought as a process. We have engaged in thoughts, put we have only paid attention to the content, not to the process. Why does thought require attention? Everything requires attention, really. If we ran machines without paying attention to them, they would break down. Our thought, too, is a process, and it requires attention, otherwise its going to go wrong.
I was very fortunate that a teacher saw that I read a lot and got bored very easily and had a lot of energy, so she said, 'You've got to go to this youth theater.' I joined Manchester Youth Theatre when I was really young, and I just loved putting on and being involved in plays and telling stories.
When I was doing it, I just thought, 'I'm going to do this because it's fun.' I wasn't writing for a publisher or a publishing model; I didn't really think about it, but then, somehow, it worked out in my favor.
I think the process of being hopeful, being really opportunity oriented, not just in rhetoric but in action, showing that no one get's left behind, not just by talking about it but by doing it, I think is really a key [to political success].
What I was interested in wasn't popular and young, but I never really deviated from doing it. I just decided that I was going to go full force into exactly what I wanted. I think there's a certain comfort that comes with age and experience, and when I got that, I think my work got better.
I always thought I'd eventually learn how to draw really well, and despite constant evidence to the contrary, I just kept on trying. If you're too good at anything, you don't have to think about the process, whereas I feel like I spend my life with my head under the bonnet, trying to understand how everything works.
I've been a little disappointed in directors in America. I'm really after a theater that doesn't just deal with the actual texts that I brought in. But with a director that really deals with images too, that takes the play to another level. We have to remember that theater takes place in the third dimension, and we have to take into consideration the visual aspect of the play. I think images are important for the theater. Because I do write images.
I think I was just so ecstatic that I was working, and then as it went on, you know, I started to really appreciate that it ["Freaks and Geeks"] was good and that we were doing something a little different and that, you know, everyone was really cool to work with and that it was really talented group of people, and it was just when I was realizing that, that it got canceled.
I grew up watching movies and television, and one day when I was really young I told my mom I wanted to become an actor, and she was really supportive and got me involved in local theater and commercials. From there I moved up to auditioning for movies and television.
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