A Quote by Chiwetel Ejiofor
It's a strange thing, but you get this click in your brain; the wonderful feeling that the entirety of a character is suddenly available and accessible to you.
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As a bowler it's a strange feeling when you start running through a team. You get that one wicket under your belt and suddenly you start running in feeling loose, feeling relaxed and thinking about what you want to bowl rather than focusing on trying to force that wicket.
The best thing about writing fiction is that moment where the story catches fire and comes to life on the page, and suddenly it all makes sense and you know what it's about and why you're doing it and what these people are saying and doing, and you get to feel like both the creator and the audience. Everything is suddenly both obvious and surprising ("but of course that's why he was doing that, and that means that...") and it's magic and wonderful and strange.
Life itself is the real and most miraculous miracle of all. If one had never before seen a human hand and were suddenly presented for the first time with this strange and wonderful thing, what a miracle, what a magnificently shocking and inexplicable and mysterious thing it would be.
Fame is always a bit crazy. You spend so long banging on the door trying to get in that when it suddenly opens, it's a very strange feeling.
The feeling of being alive and at One with everything is available through the path of Tantra. When your heart is open and you are making love, there is no separation between you, your partner and God. This is healing sex. This is connecting with the Divine. And the important thing to develop is the sense that this sacred experience is available in all instants. It is not limited to sex.
I wait for the next opportunity to have something to do with food. If I get rested, my mind just starts creating new dishes - click, click, click.
It's a strange thing that we're actors, and we're always playing a character, and then suddenly we're at a place like Cannes, and we're getting photographed as ourselves, and you're like, 'What do you do?'
If I waited until I felt creative, I would never have had a career. I long ago learned that a day that starts out badly, when nothing comes out on the page or comes out wrong, can suddenly turn into a good day a few hours later, when suddenly everything starts to click. The brain can be cajoled into being creative.
Once you click into a character, to a certain degree, you can do a lot else. You can do other stuff, then come back and click right into the character. It's sort of funny that way, the way the mind works. Once it's there, it's sort of there. For the stage, for example, all through the day, you're not onstage. You're living your life, la-la-la, then the lights go down, then boom! All of a sudden, you're in this thing. There's a kind of reflex muscle trigger that happens, and all of a sudden you're back into the role. It's just getting there in the first place that's tricky.
Choosing work is an interesting thing. It's a balance between what's available and what you've always got in the back of your mind - that awful, strange thing that seems to have to exist in this industry, of what will give you "exposure."
My mother was very ill when I was 18. She had a brain operation and then a nervous breakdown. It's very strange when you see your parents, who have always been your pillars of strength, suddenly become vulnerable. You don't know whether to be angry that they are not strong or devastated.
My memory is coming back. It is curious how it comes. Each day, a rush of pieces, loosely connected, unimportant bits, snake through me. They click, click, click into my brain, like links being snapped together. And then they are done. A small chain of memories that fill in one tiny part of my life. They come out of nowhere, and most are not important.
You know that feeling you get when your leg falls asleep? Well, I suddenly had that feeling in my spine. Like termites were chewing through the marrow in my backbone.
It wasn't a thing I had consciously missed, but having it now reminded me of the joy of it; that drowsy intimacy in which a man's body is accessible to you as your own, the strange shapes and textures of it like a sudden extension of your own limbs.
So community colleges are accessible, they're available, they're affordable, and their curriculums don't get stuck. In other words, if there's a need for a certain kind of worker, I presume your curriculums evolved over time.
When you lose a parent, it's a strange feeling. It's a hard thing to get used to.
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