A Quote by Chiwetel Ejiofor

I look at scripts really for whether they can be moving or penetrate some kind of truth. You are constantly chasing that feeling as an actor when every part of a production comes together.
As an actor, whether you look good or you don't, it's still about what you look like: Whether you are heavy enough to play this part or thin enough to play that part. The fact of the matter is, you can add a little weight with some extra padding, but you can't shave it off.
In fact you can begin to discover and investigate whether you are an actor or not, whether you're in my view, qualified for a life in this profession or in this endeavor by checking yourself out and acting every day, getting plays and scripts and getting together with people and divvying up the parts and acting in one way or another, or writing things.
You really get a feeling, when you're reading scripts, pretty quickly. Within 20 or 25 pages, you can get a sense of the part. I always think about whether I'm right for it and whether I can do it. If I don't think I'm right for it, it should go to somebody else.
I definitely understood the feeling of moving to Los Angeles and having a dream to be an actor in films and to get to be a part of things that I loved and inspire people in some way.
I'm constantly moving and constantly travelling, and so it's really hard to maintain a relationship in that kind of environment.
Truth is truth, not the explanations of Truth. Truth is a living, moving process. Truth is constantly undulating and vibrating. You can become one with the Truth, but you cannot adequately explain it.
When you're directing, you look around and you think, everything I see is my responsibility. From the catering being on time to whether the clouds are moving the way I need them to move to whether this actor is giving the performance I want to whether the costumes are what they should be.
I worked in script development, many years ago, and read a lot of scripts. Between that and the scripts I've read as an actor, and I'm a writer as well, I think I have a pretty good sense about whether the bones of a story are there and whether the structure is intact.
How you look is part of what acting is, but the way I look at it, every actor is a character actor. Someone once told me at a casting, 'You're a character actor in a leading man's body,' and I can live with that.
So, the role of a producer is to kind of look at the show, kind of give our takes on what we see, and that'll be prior to the production meeting. Then, we kind of get assigned our matches and our segments, and then we - I like to go and collaborate with talent, and we put together what we see on TV every Monday and Friday.
You can say something that can really help and actor and you can say something that can really get in the way of an actor's performance, kind of cut them off from their instincts and really get into their heads. And every actor's different. Every actor requires something different. Being an actor, for me, was the greatest training to be a writer and director.
As an actor, one is constantly reading scripts and interacting with creative teams. Sometimes, things work and sometimes, they don't. It's never in an actor's hands.
... we are obliged to produce the truth by the power that demands truth and needs it in order to function: we are constrained, we are condemned to admit the truth or to discover it. Power constantly asks questions and questions us; it constantly investigates and records; it institutionalizes the search for the truth, professionalizes it, and rewards it. ... In a different sense, we are also subject to the truth in the sense that truth lays down the law: it is the discourse of truth that decides, at least in part; it conveys and propels effects of power.
Like any other actor, I also look for good scripts and want to portray some memorable characters on screen.
Whether or not I am a 'character actor' or any other kind of actor, I really don't know. When people call me a 'character actor,' I fail to understand what it means.
The way I choose parts is I look at the scripts... I choose a part by whether or not it challenges me.
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